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The third edition of this classic text, first published in 1949, contains additional colour plates and text describing popular decorative paint finishes such as lapis lazuli, tortoiseshell, malachite, patinated gold and fossilstone marble. A chapter on broken colour effects--including ragging, dragging, stippling, sponging and shading--is also provided. The extensive text on graining has been enhanced by replacing the descriptive-only ground colours with two full-colour plates of suggested colours (aligned with the British Standard), thereby enabling access to paints from local suppliers or helping the decorative painter make and mix his/her own colours.
Brian Rhodes is the author of Parry's Graining & Marbling, 3rd Edition, published by Wiley.
List of Plates viForeword to the first edition viiPreface to the second edition xPreface to the third edition xi1 Decorative possibilities of graining and marbling 12 The preparation and painting of surfaces 33 Graining colours: their use and preparation in various media 74 Brushes, tools and appliances 135 Combing, brush-graining and flogging 196 The graining of ash, Hungarian ash and light oak 267 American walnut, teak and medium fumed oak 368 Quartered oak - light figure, dark figure and spirit grained 449 Limed oak and wearthered oak; decorative treatments 5310 Pitch pine, pollard oak and root of oak 5611 Mahogany, feathered mahogany and rosewood 6212 Maple, satinwood and pine 6913 Walnut 7514 Quartering and inlay effects 7915 Marbling 8316 White-vein marble, sienna and breche violette 8717 Black and gold, vert de mer, vert antique and St Anne's 9318 Rouge Roi, granites, porphyries, Cipollino and fossilstone marbles 9819 Other broken colour effects and varnishing 103Glossary of terms 111Suppliers of specialist tools and materials 115Index 117