"Thoughtful and insightful book. . . . Scully's important exploration of the folk music revival ... will only gain in significance as the opportunities for the transmission of folk music increase."--ARSC Journal"For those of us with a fondness for Rounder and all the offbeat music it has brought us throughout the years, this book . . . is a must-have."--Sing Out!“Scully explores many facets of the folk music revival. . . . Well written, well researched.”--Bluegrass Unlimited "With care and grace, Scully details the power struggles, the hirings and resignations, the handwringing and public denunciations that characterize any organization that tries to blend notions of cultural purity with commercial ambitions."--American Studies "A keenly insightful study."--Western Folklore "A clear, intelligent, insightful, and open-minded look into the world of folk music. This well-researched book details the conflicts inherent in a hard-to-define musical genre."--Tommy Erdelyi (Tommy Ramone) "Scully covers new territory in exploring the recent history of folk music in the United States by focusing on Rounder Records and the North American Folk Music and Dance Alliance. This book is essential for anyone interested in recent developments in folk music and its role in the aftermath of the folk revival of the 1960s."--Ronald D. Cohen, author of Folk Music: The Basics "This well-researched book fills an important gap in the chronicle of the folk revival. Particularly impressive is Scully's recapitulation of the painful debates about Rounder's commercial survival and the nature of folklore and folk song."--Ed Cray, author of Ramblin' Man: The Life and Times of Woody Guthrie