Barbara Buhler Lynes has written, cowritten, and contributed to over twenty-five publications on O’Keeffe, including O’Keeffe, Stieglitz and the Critics, 1916–1929 and Maria Chabot—Georgia O’Keeffe: Correspondence, 1941–1949 (UNM Press). From 1999 to 2012 she was the founding curator of the Georgia O’Keeffe Museum, and she also served as the founding director of the museum’s research center. From 2014 to 2020 she was the Sunny Kaufman Senior Curator at the Fort Lauderdale Art Museum before leaving to work on O’Keeffe full time. She currently lives in Virginia and is an honorary member of the O’Keeffe Museum’s board of trustees and a consultant to the museum’s digital “Access O’Keeffe” project.

“Lynes takes us behind the scenes of the private world constructed around one of America’s most famous artists. Lynes’s front-row view of events and brilliant command of the facts enable her to sort through myth and reality concerning dealers, museums, curators, collectors, and admirers in the management of the reputation of O’Keeffe.” - Elizabeth Hutton Turner, author of Georgia O'Keeffe: The Poetry of Things“Written in a manner that is humorous, frank, and highly personal, Lynes’s tale offers us a completely unique perspective on O’Keeffe’s world, and she allows us see how her professional life became somewhat all-consuming, that is, inextricably intertwined with her personal life over the course of more than two decades.” - Kathleen Pyne, author of Modernism and the Feminine Voice: O'Keeffe and the Women of the Stieglitz Circle

Barbara Buhler Lynes has written, cowritten, and contributed to over twenty-five publications on O’Keeffe, including O’Keeffe, Stieglitz and the Critics, 1916–1929 and Maria Chabot—Georgia O’Keeffe: Correspondence, 1941–1949 (UNM Press). From 1999 to 2012 she was the founding curator of the Georgia O’Keeffe Museum, and she also served as the founding director of the museum’s research center. From 2014 to 2020 she was the Sunny Kaufman Senior Curator at the Fort Lauderdale Art Museum before leaving to work on O’Keeffe full time. She currently lives in Virginia and is an honorary member of the O’Keeffe Museum’s board of trustees and a consultant to the museum’s digital “Access O’Keeffe” project.

“Lynes takes us behind the scenes of the private world constructed around one of America’s most famous artists. Lynes’s front-row view of events and brilliant command of the facts enable her to sort through myth and reality concerning dealers, museums, curators, collectors, and admirers in the management of the reputation of O’Keeffe.” - Elizabeth Hutton Turner, author of Georgia O'Keeffe: The Poetry of Things“Written in a manner that is humorous, frank, and highly personal, Lynes’s tale offers us a completely unique perspective on O’Keeffe’s world, and she allows us see how her professional life became somewhat all-consuming, that is, inextricably intertwined with her personal life over the course of more than two decades.” - Kathleen Pyne, author of Modernism and the Feminine Voice: O'Keeffe and the Women of the Stieglitz Circle

Barbara Buhler Lynes has written, cowritten, and contributed to over twenty-five publications on O’Keeffe, including O’Keeffe, Stieglitz and the Critics, 1916–1929 and Maria Chabot—Georgia O’Keeffe: Correspondence, 1941–1949 (UNM Press). From 1999 to 2012 she was the founding curator of the Georgia O’Keeffe Museum, and she also served as the founding director of the museum’s research center. From 2014 to 2020 she was the Sunny Kaufman Senior Curator at the Fort Lauderdale Art Museum before leaving to work on O’Keeffe full time. She currently lives in Virginia and is an honorary member of the O’Keeffe Museum’s board of trustees and a consultant to the museum’s digital “Access O’Keeffe” project.

“Lynes takes us behind the scenes of the private world constructed around one of America’s most famous artists. Lynes’s front-row view of events and brilliant command of the facts enable her to sort through myth and reality concerning dealers, museums, curators, collectors, and admirers in the management of the reputation of O’Keeffe.” - Elizabeth Hutton Turner, author of Georgia O'Keeffe: The Poetry of Things“Written in a manner that is humorous, frank, and highly personal, Lynes’s tale offers us a completely unique perspective on O’Keeffe’s world, and she allows us see how her professional life became somewhat all-consuming, that is, inextricably intertwined with her personal life over the course of more than two decades.” - Kathleen Pyne, author of Modernism and the Feminine Voice: O'Keeffe and the Women of the Stieglitz Circle