Finalist, 2025 PEN / Diamonstein-Spielvogel Award for the Art of the Essay, PEN AmericaPhillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate’s selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling—and sometimes disappointing or frustrating—through his keen eyes.In an essayist’s sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu’s Late Spring, David Lynch’s Mulholland Drive, and Andrei Tarkovsky’s Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman’s rigorous honesty, Ingmar Bergman’s intimacy, Abbas Kiarostami’s playfulness, Kenji Mizoguchi’s visual style, and Frederick Wiseman’s vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate’s passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture.
Produktinformation
Utgivningsdatum2024-07-02
Mått156 x 235 x 25 mm
Vikt622 g
FormatHäftad
SpråkEngelska
Antal sidor416
FörlagColumbia University Press
ISBN9780231216395
UtmärkelserShort-listed for PEN / Diamonstein-Spielvogel Award for the Art of the Essay, PEN America 2025 (United States)
Phillip Lopate is the author of many acclaimed books, including the essay collections Bachelorhood, Against Joie de Vivre, and Portrait of My Body and the novels The Rug Merchant and Confessions of Summer. He is the editor of several anthologies of essays. Lopate taught for many years in the Writing Program at Columbia University School of the Arts.
IntroductionCurtain Raisers1. On Changing One’s Mind About a Movie2. How I Look at MoviesFeature Films3. Maren Ade: The Forest for the Trees4. Chantal Akerman: No Home Movie5. Antonioni’s Le Amiche: Another Look6. Ingmar Bergman: Scenes from a Marriage and Saraband7. Raymond Bernard: Wooden Crosses and Les Misérables8. Robert Bresson: Mouchette9. Lino Broca: Insiang10. John Cassavetes: The Killing of a Chinese Bookie11. Claude Chabrol: The Swindle12. George Clooney: Good Night, and Good Luck13. David Cronenberg: eXistenZ14. Jean-Pierre and Luc Dardenne15. Arnaud Desplechin: A Christmas Tale16. Carl Dreyer: Gertrud17. Lena Dunham: Tiny Furniture18. Paul Fejos: Lonesome19. Emannuel Finkiel: Voyages20. John Ford: The Sun Shines Bright21. Jean-Luc Godard: Breathless and Band of Outsiders22. Hong Sang-soo23. Hou Hsiao-hsien24. Otar Iosseliani25. Elia Kazan26. Abbas Kiarostami: Through the Olive Trees and Taste of Cherry27. Hirokazu Kore-eda28. Akira Kurosawa: Rashomon29. Alberto Lattuada: Mafioso30. Richard Linklater: Before Midnight31. Harold Lloyd: Speedy32. Ernst Lubitsch33. Sidney Lumet: Long Day’s Journey Into Night34. David Lynch: Mulholland Drive35. Dušan Makavejev: The Wolf and the Teddy Bear36. Kenji Mizoguchi: Ugetsu and Utamaro and His Five Women37. Mikio Naruse: When a Woman Ascends the Stairs38. Yasujirō Ozu: Late Spring39. Christian Petzold: Barbara40. Maurice Pialat: Naked Childhood, Van Gogh, and Le Garçu41. Alain Resnais: Middle and Late Resnais42. Dino Risi: Il Sorpasso43. Éric Rohmer: La Collectionneuse, The Marquise of O, and Le Rayon Vert44. Raúl Ruiz: Time Regained45. Alexander Sokurov46. Paolo Sorrentino: The Great Beauty47. Jean-Marie Straub Not Reconciled48. Andrei Tarkovsky: Solaris49. François TruffautIntermission: Documentaries and Essay Films50. Frederick Wiseman: Composing an American Epic51. Alain Resnais: Night and Fog52. Jean Rouch and Edgar Morin: Chronicle of a Summer53. Alan Berliner54. Robert Gardner: Dead Birds55. Sam Green and Bill Spiegel: The Weather Underground56. Jafar Panahi: This Is Not a Film57. Documentary Splendors and Errors58. Ross McElwee: Bright Leaves59. Mark Rappaport’s Essay Films60. Marcel Ophuls61. City Essay FilmsFilm Critics62. The Making of Manny Farber63. Roger Ebert: Life Itself64. Stanley Kauffmann65. Pauline Kael: A Biography66. Stanley Cavell67. James Harvey68. Jonathan Rosenbaum69. Jonathan BaumbachExit Music: A Few Last Thoughts70. Repertory Movie Theaters, Ravishing RevivalsConclusion: The Faith of a CineasteNotes
Phillip Lopate is the model of the eloquent and incisive critic. His expertise in the personal essay gives his film criticism the depth and precision of finely crafted literature. He brings to the task a keen intelligence, broad knowledge, and a sympathetic warmth rare on the contemporary scene. He never promotes himself at the expense of the film at hand, but his willingness to admit his tastes (and to change his mind) shows a true humanistic sensibility at work. Every serious film admirer will value this book as an ideal guide to the treasures of arthouse cinema.