Del i serien Public Cultures of the Middle East and North Africa

Moroccan Noir

Police, Crime, and Politics in Popular Culture

Häftad, Engelska, 2013

AvJonathan Smolin

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Facing rising demands for human rights and the rule of law, the Moroccan state fostered new mass media and cultivated more positive images of the police, once the symbol of state repression, reinventing the relationship between citizen and state for a new era. Jonathan Smolin examines popular culture and mass media to understand the changing nature of authoritarianism in Morocco over the past two decades. Using neglected Arabic sources including crime tabloids, television movies, true-crime journalism, and police advertising, Smolin sheds new light on politics and popular culture in the Middle East and North Africa.

Produktinformation

Utgivningsdatum2013-10-23
Mått152 x 229 x 16 mm
Vikt454 g
FormatHäftad
SpråkEngelska
SeriePublic Cultures of the Middle East and North Africa
Antal sidor336
FörlagIndiana University Press
ISBN9780253010650

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PrefaceAcknowledgmentsNote on Transliteration, Translation, and StyleIntroduction: State, Mass Media, and the New Moroccan Authoritarianism1. Police on Trial: The Tabit Affair, Newspaper Sensationalism, and the End of the Years of Lead2. "He Butchered His Wife Because of Witchcraft and Adultery": Crime Tabloids, Moral Panic, and the Remaking of the Moroccan Cop3. Crime-Page Fiction: Moroccan True Crime and the New Independent Press4. Prime-Time Cops: Blurring Police Fact and Fiction on Moroccan Television5. The Moroccan "Serial Killer" and CSI: Casablanca6. From Morocco's 9/11 to Community Policing: State Advertising and the New CitizenEpilogue: "The Police Are at the Service of the People"NotesBibliographyIndex

Moroccan Noir is impressively researched. Collecting the artifacts of popular culture in Morocco is no easy task. . . . Smolin's years of dedicated work spent compiling these materials has resulted in a book that is, without question, an accomplished and valuable resource on a little studied topic.(Journal of Arabic Literature) Smolin's research is impressive for its scope and attention to detail. Through archival research, interviews with key players, and media analysis, he has produced an invaluable study that will be of interest to anyone working on Morocco's recent history of human rights abuses and moves toward reform, the role of fictional writing, media, and television in these reforms, and the way that the state both controls and reacts to the shifting terrain of security and human rights.(International Journal of Middle East Studies) Moroccan Noir . . . is a cogent analysis of the hegemonic process at work, whereby elite groups are able to reconstitute and reinvent themselves in order to preserve the overarching power structures sustaining their dominant status.(American Historical Review)