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Claude Monet’s Vétheuil in Winter (1878-79), painted during the artist’s first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet’s two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this impressionist masterpiece, which is the subject of this ninth volume in the Frick Diptych series.Susan Grace Galassi has written an insightful and engaging essay about Monet’s difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work—Colour experiment no. 109—by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson’s work will be shown at the Frick next to the painting that inspired it.
Born in 1967, Eliasson grew up in Iceland and Denmark, where he studied from 1989 to 1995 at the Royal Danish Academy of Fine Arts. In 1995, he moved to Berlin and founded Studio Olafur Eliasson. In 2019 Eliasson was appointed Goodwill Ambassador for renewable energy and climate action by the United Nations Development Programme. He lives and works in Copenhagen and Berlin.Susan Grace Galassi is curator emerita, The Frick Collection, New York.
Director’s Foreword by Ian Wardropper, Anna-Maria and Stephen Kellen Director, The Frick Collection; Acknowledgments; A Space without Beginning and End by Olafur Eliasson; Frozen Splendor: Claude Monet’s Vétheuil in Winter by Susan Grace Galassi; BibliographyIndex; Image Credits