At the heart of this lively and astute study is the vexed entwinement of ritual with ridicule. In a briskly paced series of readings of literary works from Voltaire and Diderot to Michel Houellebecq and Charlie Hebdo, McGinnis and Smyth show us that while every ritual threatens to become a parody of itself, so does even the fiercest mockery of ritual inevitably assume its own ritualistic aspect. We are as ensnared today as were the writers and philosophers of the Enlightenment, in the joke of jokes: that to laugh at high seriousness is to claim a no less risible high seriousness for ourselves.