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Milestones in Actor Training focuses on key developments across time in how actors prepare for performance.Designed for weekly use on actor training and acting courses, the ten chosen milestones cover a wide range, culturally, historically, and geographically; from psychological realist acting in conventional plot-driven drama, through Commedia dell’Arte to the broader church of physical acting that overlaps with devising, mime, circus, contemporary dance, and other body-based genres, including Japanese Nō theatre. The book’s principal concern is the theatre actor in text-based drama, sonic, or movement structures, though the final milestone encompasses acting for film and new media. This volume concentrates mainly on conceptions of acting as emergent or as reformulated in the West, with the majority coming from the late nineteenth century onwards.Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.
Paul Allain is Professor of Theatre and Performance at University of Kent, UKFrank Camilleri is Professor of Theatre Studies at University of Malta, Malta
List of ContributorsIntroductionPaul Allain and Frank Camilleri1 Zeami, Nō, and Cross-cultural Training HistoriesAshley Thorpe2 Commedia dell’Arte: Training in the TroupeOlly Crick3 Stanislavsky and the RockBella Merlin4 French Foundations of PhysicalityEllie Nixon5 Brecht and the ‘Street Scene’David Barnett6 Grotowski and After: Embracing the PhysicalDominika Laster7 Voice Training: The Wolfsohn–Hart ApproachPatrick Campbell and Margaret Pikes8 Women in/and Actor TrainingLisa Peck9 Intercultural Training: Barba and Bogart Stephen Atkins10 Technology and the Emergence of Performance CaptureBoyd BranchConclusionPaul Allain and Frank CamilleriMAT TimelineGlossary of Key TermsIndex