Mariah Proctor-Tiffany is Associate Professor of Art History at California State University, Long Beach.

• List of IllustrationsAcknowledgmentsA Note on Terminology and NomenclatureIntroduction1 The Life, Times, and Art of an International Queen2 Systems of Exchange: Moving Art and Material Culture3 The Body, the Altar, and the Table: Possessions and Sites of Identity Proclamation4 The Queen’s Manuscripts and Identity5 Gift Giving in the Gothic World6 The Queen and Ritual Gift Giving7 Gifts to Individuals, Near and FarConclusion: Good and Glorious ExchangeAppendix 1: The Testament of Clémence de HongrieAppendix 2: The Inventory of Clémence de HongrieAppendix 3: GlossaryNotesBibliographyIndex

“Mariah Proctor-Tiffany’s long-awaited and meticulously researched and argued book makes an important contribution to the growing body of scholarship that sits at the nexus of archival art history, feminist cultural history, and the development of object- and thing-based theoretical models for the practice of art history.”—Alexa Kristen Sand Royal Studies Journal

Mariah Proctor-Tiffany is Associate Professor of Art History at California State University, Long Beach.

• List of IllustrationsAcknowledgmentsA Note on Terminology and NomenclatureIntroduction1 The Life, Times, and Art of an International Queen2 Systems of Exchange: Moving Art and Material Culture3 The Body, the Altar, and the Table: Possessions and Sites of Identity Proclamation4 The Queen’s Manuscripts and Identity5 Gift Giving in the Gothic World6 The Queen and Ritual Gift Giving7 Gifts to Individuals, Near and FarConclusion: Good and Glorious ExchangeAppendix 1: The Testament of Clémence de HongrieAppendix 2: The Inventory of Clémence de HongrieAppendix 3: GlossaryNotesBibliographyIndex

“Mariah Proctor-Tiffany’s long-awaited and meticulously researched and argued book makes an important contribution to the growing body of scholarship that sits at the nexus of archival art history, feminist cultural history, and the development of object- and thing-based theoretical models for the practice of art history.”—Alexa Kristen Sand Royal Studies Journal

Mariah Proctor-Tiffany is Associate Professor of Art History at California State University, Long Beach.

• List of IllustrationsAcknowledgmentsA Note on Terminology and NomenclatureIntroduction1 The Life, Times, and Art of an International Queen2 Systems of Exchange: Moving Art and Material Culture3 The Body, the Altar, and the Table: Possessions and Sites of Identity Proclamation4 The Queen’s Manuscripts and Identity5 Gift Giving in the Gothic World6 The Queen and Ritual Gift Giving7 Gifts to Individuals, Near and FarConclusion: Good and Glorious ExchangeAppendix 1: The Testament of Clémence de HongrieAppendix 2: The Inventory of Clémence de HongrieAppendix 3: GlossaryNotesBibliographyIndex

“Mariah Proctor-Tiffany’s long-awaited and meticulously researched and argued book makes an important contribution to the growing body of scholarship that sits at the nexus of archival art history, feminist cultural history, and the development of object- and thing-based theoretical models for the practice of art history.”—Alexa Kristen Sand Royal Studies Journal