Gleave’s close textual analysis, attention to nuance, and theoretical acumen allow for a robust debate about the nature of Islamic legal theory in light of literary theory with the potential to enrich both. This leads to the tantalizing prospect that uṣūl al-fiqh might contribute something important and essential to modern literary theory. Gleave has elevated the discourse about uṣūl al-fiqh, adding theoretical sophistication to studies within and, one hopes, beyond the genre.'