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A lively introduction to a subject which has attracted increasing interest in the last few years.. A wide-ranging and carefully constructed account. Likely to be adopted on many courses (both foundational level and advanced) which include the study of documentary as part of a wider Media Studies agenda.. Written in a highly accessible manner, it has the edge on rival publications on the subject, which have often proved to difficult for an undergraduate readership.
Richard Kilborn is Senior Lecturer in the Department of Film and Media Studies at the University of Stirling. John Izod is Dean of the Faculty of Arts and Senior Lecturer in Film and Media Studies at the University of Stirling
AcknowledgementsA note on the availability of recordingsIntroductionPart I: Documentary Debates1. Mapping out the terrain: What is documentary?2. How real can you get?: Realism and documentaryPart II: The Documentary Text3. Shaping the real: Modes of documentary4. Tackling the text: Documentary analysesPart III: Fact, Fiction and Drama5. Telling a story: Fact, fiction and documentary6. Making a drama out of a crisis: The drama-documentary and related formsPart IV: Documentary Production and Reception7. Just do it our way!: Institutional control and production economics8. How do they do it?: Aspects of documentary production9. Is there anyone out there?: Audiences for documentaryNotesBibliographyIndex