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Gothic forms of feminine fictions is a study of the powers of the Gothic in late twentieth-century fiction and film. Susanne Becker argues that the Gothic, two hundred years after it emerged, exhibits renewed vitality in our media age with its obsession for stimulation and excitement.Today's globalised entertainment culture, relying on soaps, reality TV shows, celebrity and excess, is reflected in the emotional trajectory of the Gothic's violence, eroticism and sentimental excess.Gothic forms of feminine fictions discusses a wide range of anglophone Gothic romances, from the classics through pulp fictions to a postmodern Gothica. This timely and original study is a major contribution to gender and genre theory as well as cultural criticism of the contemporary. It will appeal to scholars in a wide range of fields and become essential for students of the Gothic, contemporary fiction – particularly Alice Munro and Margaret Atwood – and popular culture.
Susanne Becker is an editor in the culture department of German Television (ZDF)
IntroductionPart I GOTHIC FORMS - FEMININE TEXTS1 Gothic contextualisationExperience - Excess! - Escape?2 Gothic textureSubjectivity - Interrogativity - Monstrosity3 Gothic intertextualityFilliation - Pulp/Horror/Romance - Canadian connectionsPart II NEO-GOTHICISM: FROM HOUSES OF FICTION TO TEXTURES OF DRESS4 Exploring Gothic contextualisation: Alice Munro and Lives of Girls and WomenGothicising experience - The subject-in-the-making - Connectedness5 Exceeding even gothic texture: Margaret Atwood and Lady OracleRe-experiencing gothicism - The subject-in-excess - Terrific excapes6 Stripping the gothci: Aritha van HerkBorder experience - The subject-in-process - Escaping (en)closurePart III GOTHIC TIMES AGAIN: TWO HUNDRED YEARS AFTER RADCLIFFE7 The neogothic experience8 Exceeding postmodernism9 Global escapesBibliography