Film Remakes, Adaptations and Fan Productions

SONJA GEORGI Lecturer in American Studies, Johannes Gutenberg-University Mainz, Germany LILI HARTWIG MA graduate at the University of Hamburg, Germany FRANK KELLETER Chair of American Studies, University of Göttingen, Germany SIBYLLE MACHAT Lecturer at the University of Flensburg, Germany AMY MARTIN Ph.D. Studentship at the Queen Margaret University Edinburgh, UK BIRTE OTTEN Member of the American Studies Program at the University of Göttingen, Germany ROBIN ANNE REID Professor of English at the Department of Literature & Languages at Texas A&M University-Commerce, USA KATHRYN SCHWEISHELM Doctoral candidate in the Graduate School of North American Studies at Freie Universität Berlin, Germany STEPHANIE SOMMERFELD Member of the American Studies Program at the University of Göttingen, Germany DANIEL STEIN Member of the American Studies Program at the University of Göttingen, Germany.

• Introduction: Remake | Remodel; K.Loock  & C.Verevis PART I: ADAPT Toto, I think we're in Oz again (and again and again): Remakes and Popular Seriality; F.Kelleter Guy Ritchie's Sherlock Bond, the Deerstalker, and Remediation; S.Sommerfeld A Battle on Two Fronts: Wuthering Heights and Adapting the Adaptation; A.Martin Of Political Visions and Visionary Politicians: Adapting All the King's Men to the Big Screen; B.Otten PART II: REMAKE Remaking The Stepford Wives, Remodeling Feminism; K.Schweishelm The Return of the Pod People: Remaking Cultural Anxieties in Invasion of the Body Snatchers; K.Loock Cyber-noia? Remaking The Manchurian Candidate in a Global Age; S.Georgi A Personal Matter: H Story; C.Verevis PART III: REMODEL Remaking Texts, Remodeling Scholarship; R.A.Reid 'Prince Arthur spotted exiting Buckingham Palace!': The Re-Imagined Worlds of Fanfic Trailers; S.Machat You'll Never See this on the Silver Screen: The Film Trailer as a Template for the Appropriation and Transformationof Hollywood Movies; L.Hartwig Spoofin' Spidey - Rebooting the Bat: Immersive Story Worlds and the Narrative Complexities of Video Spoofs in the Era of the Superhero Blockbuster; D.Stein Index

“The volume … provides a variety of critical perspectives on remakes and adaptations that ‘contest the idea that the remake is a debased copy of some superior original’ … . Together with the accessible language and structure of the individual contributions, the volume provides its readers with valuable material for the classroom as well as further research on the topic of cultural reproduction in times of ‘retromania.’” (Florian Groß, Amerikastudien - American Studies, Vol. 61 (3), 2017)