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This significantly revised and updated second edition builds upon the authoritative foundations of the first edition. It addresses the rapid development of EU copyright law in relation to the advancement of new technologies, the need for a borderless digital market and the considerable number of EU legal instruments enacted as a result.Alongside full legislative analysis and article-by-article commentary, the Commentary illustrates the underlying basic principles of free movement and non-discrimination. It provides insights into the influence of copyright on other areas of EU policy, including telecoms and bilateral trade agreements. This unique Commentary describes and analyses each EU directive in turn and discusses anticipated future challenges, utilising a clear structure to enable the reader to navigate the Commentary effectively.Written by a team of leading experts in the field, this Commentary combines theory and practice to tackle the role of copyright in society and the economy, making this a key resource for academics, researchers, practitioners and policymakers in copyright and comparative law.
Edited by Irini Stamatoudi, Professor of Intellectual Property Law and Cultural Heritage Law, Faculty of Law, University of Nicosia, Cyprus and Paul Torremans, Professor of Intellectual Property Law, School of Law, University of Nottingham, UK
Contents:Introduction 1Irini Stamatoudi and Paul TorremansPART I GENERAL PRINCIPLES OF EUROPEAN COPYRIGHT1. Is there a concept of European copyright law? History, evolution, policies and politics andthe acquis communautaire 6Agnès Lucas-Schloetter2. The principle of non-discrimination 17Cristiana Sappa3. The principle of free movement of goods: community exhaustion and parallel imports 33Benedetta Ubertazzi4. The essential facilities principle and other issues of competition 44Alison FirthPART II THE EU DIRECTIVES AND REGULATIONS5. The Software Directive 75Marie-Christine Janssens6. The Rental and Lending Rights Directive 118Sylvie Nérisson7. The Satellite and Cable Directive 151Jan Rosén8. The Term Directive 180Gemma Minero9. The Database Directive 216Estelle Derclaye10. The Resale Right Directive 255Jens Gaster and Irini Stamatoudi11. The Information Society Directive 279Christophe Geiger, Franciska Schönherr, Irini Stamatoudi, Paul Torremans and Stavroula Karapapa12. The Enforcement Directive 381Irini Stamatoudi and Olivier Vrins13. The Orphan Works Directive 479Uma Suthersanen and Maria Mercedes Frabboni14. The Collective Rights Management Directive 515Lucie Guibault and Sabine Jacques15. The Portability Regulation 575Katja Weckström Lindroos and Nguyen Ho Bich Hang16. The Marrakesh Treaty on Certain Permitted Uses for the Benefit of Blind, Visually Impairedand Print-disabled Persons 610Raquel Xalabarder17. The Digital Single Market Directive 651Irini Stamatoudi and Paul Torremans18. Access and re-use of public sector information in a copyright perspective 762Cristiana Sappa19. A United States perspective on Digital Single Market Directive Article 17 782Jane C. Ginsburg20. The Netcab Directive 798Tom RiversPART III EU POLICIES AND ACTIONS21. The EU policies and actions in the fight against piracy 814Olivier Vrins22. Bringing Europe’s cultural heritage online: initiatives and challenges 937Nadine Klass, Hajo Rüpp and Julia Wildgans23. From a ‘Digital Agenda for Europe’, to a ‘Digital Single Market’, to a ‘Europe Fit for theDigital Age’: a decade of European Union copyright policy in the shadow of crises 967Benjamin Farrand24. Intellectual property and the EU rules on private international law: match or mismatch? 989Paul Torremans25. The export of EU copyright law: the example of the Free Trade Agreements 1024Zoi MavroskotiPART IV PRESENT AND FUTURE OF COPYRIGHT IN THE EUROPEAN UNION26. The EU stance in international matters 1051Gillian Davies and Bernd Justin Jütte27. The role of the Court of Justice in the development of EU copyright law: an empiricalexperience 1073Marcella Favale28. Towards a European copyright law: territoriality and limitations and exceptions as majoroutstanding issues 1087Paul Torremans and Khamchanh Keosomphan29. Advocating an EU copyright title 1104Alain Strowel30. Conclusion 1118Irini Stamatoudi and Paul TorremansIndex 1123
‘Professor Stamatoudi and Professor Torremans have produced a wide-ranging and comprehensive study of European copyright law in the second edition of their text. The genius of the book is the decision to entrust the different chapters on various aspects of European laws to a collection of copyright experts from across the continent and beyond. Professor Stamatoudi and Professor Torremans have delivered an outstanding book that is a worthy addition to the library of any serious copyright scholar and legal practitioner. The authors should be congratulated on their efforts in this worthy text.’