Ecologies of Writing

Nyhet

Natural, Technical, and Social Conditions of Textual Production in the Twentieth and Twenty-First Centuries

Inbunden, Engelska, 2025

Av Urs Büttner, Jacob Haubenreich, UK) Buttner, Dr. or Prof. Urs (University of Oxford, USA) Haubenreich, Dr. or Prof. Jacob (Johns Hopkins University, Imke Meyer

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Drawing from case studies in 20th century German literature and theory, the contributors to this volume explore the multiple dimensions behind and alongside authorship that constitutes the "ecology" of writing. Over the last few decades, a resurgence of interest in historical and contemporary writing processes, fueled in part by the development of digital media, has developed alongside the emergence of new conceptions of material-human agency and the environment. What would it mean to apply these conceptions to the phenomenon of writing? As the essays in this volume explore, writing is never the purely mental activity of a solitary mind; it is inherently socially embedded and always more-than-human. Examining the early 20th century to the present, a period of dramatic media-technological transition in which writers become increasingly self-reflexive and responsive to the materials and changing environmental circumstances of their craft, Ecologies of Writing expands the frame to encompass the vast array of material, social, environmental, and economic influences that all inform the practice of writing. Case studies draw on German-language literature and theory, including works by Franz Kafka, Thomas Mann, and W. G. Sebald, and recent theories of human-material agency, media theory, and ecocriticism.

Produktinformation

Utgivningsdatum2025-11-27
Mått144 x 220 x 26 mm
Vikt520 g
FormatInbunden
SpråkEngelska
SerieNew Directions in German Studies
Antal sidor240
FörlagBloomsbury Publishing Plc
ISBN9798765124451

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Urs Büttner is Feodor Lynen Fellow of the Alexander von Humboldt Foundation at the University of Oxford, UK. He previously held positions at Leibniz University Hannover, Free University Berlin and Heinrich Heine University Düsseldorf. He taught as Max Kade Professor at the University of Illinois at Urbana-Champaign and received a Visiting Scholarship at the Institute of Advanced Studies at the University of Durham.Jacob Haubenreich is Assistant Professor in the Department of Modern Languages and Literatures at Johns Hopkins University, USA. He has previously held positions at Southern Illinois University, Carbondale and the College of the Holy Cross, as well as positions as Visiting Scholar at the Austrian Academy of Sciences and in the Marbach Weimar Wolfenbüttel Research Association.

Introduction: An Expanded Perspective on Textual CreationUrs Büttner (Heinrich Heine Universität Düsseldorf, Germany) and Jacob Haubenreich (Johns Hopkins University, USA)Part I. Materialities1. The Field of Writing: The Ambulatory Art of Noticing Third Nature in Sebald and Kinsky, Jason Groves (University of Washington, USA)2. Street Writing and Contemporary German Streetscapes, Peter Schweppe (Montana State University, USA)Part II. Mediality and Technical Devices3. Lines of Force: Writing Theory and the Energetic Scripts of Modernism, Susanne Strätling (Freie Universität Berlin, Germany)4. An Updated Superscript: Paradoxes of Writing Amidst Generative AI, Richard Gibson (Wheaton College, USA)Part III. Mind and Body5. “This Conflict between the Soul’s Inclination and the Body’s Capabilities”: Writing Hygiene in Thomas Mann’s Death in Venice, Urs Büttner (Heinrich Heine Universität Düsseldorf, Germany)6. Immersion and its Discontents: Kafka's Ecology of Attention, Carolin Duttlinger (University of Oxford, UK)Part IV. Social Conditions7. In the Machine Room: Writing between Author and Editor, ca. 1900-2000, Ines Barner (ETH Zurich, Switzerland) translated by Eric Hounshell8. Writing as Work: Towards a Theory of Literary Production, Carolin Amlinger (University of Basel, Switzerland)Notes on ContributorsIndex

This volume presents compelling new perspectives on practices and contexts of writing, looking beyond authorial intention and agency to the different natural and built environments, media ecologies, and social situations in which writing takes place. A delightful example of what Villem Flusser calls ‘superscript,’ or thinking and writing about writing, Ecologies of Writing boasts many inspiring insights and unexpected finds and will advance discussions about writing and media practices in the 20th and 21st centuries in media studies, materialist and object-oriented scholarship, and the sociology of literature.