"Although he denounces the hegemonic appropriation of cultural diversity by the West, Yokota-Murakami essentially tries to adjust the status of disadvantaged cultures to an equipoise with that of any dominant culture, not necessarily of the Western culture."Yokota-Murakami uses the motif of Don Juan in the recent history of Japanese sexuality to problematize the predominant approach of comparative literature, which he in turn aims at questioning a basic premise for conceiving of the world beyond simple East/West dichotomy. This book could be one of the landmark studies to which many people would refer when they position themselves in discussing multicultural issues." — Masaki Mori, University of Georgia