2026 PROSE Award Finalist in Art History & CriticismWhat was Cubism? How did this strange new way of making paintings and sculptures enable artists so decisively to change the trajectory of ‘Modern Art’? In responding to these questions, distinguished art historian Christopher Green presents a bold new interpretation of the movement and three of its key protagonists.Stemming from a critical re-evaluation of the author’s own first responses to Cubist artworks, as a student of the late artist and critic John Golding, Cubism and Reality challenges the commonly-held view of Cubism as either a retreat from reality into abstraction, or an invitation to convert the real into the ‘surreal’, arguing instead that Georges Braque, Pablo Picasso, and Juan Gris wanted, above all, to find ways of intensifying and expanding painting’s capacity to give viewers more, not less, of their lived experience of the world.Lavishly illustrated and filled with rich new insights and approaches to the artwork that are the product of decades’ worth of research, Green argues that, for the three artists, ‘reality’ was not objectively always there, but was created by their own perceptions, and could be transformed by their imaginations. The artwork becomes not merely a dead material fact, but somewhere into which wishes, lived experiences and memories can enter – ours, over a century later, as well as theirs. Green explores how Cubist artworks ask us to reflect in far-reaching ways on visual art’s relationship to everyday visual experience and questions how it is that we still believe that drawings, paintings and sculptures can represent the world as we see and know it. In doing so Cubism and Reality tackles a fundamental issue that has preoccupied artists, critics and art enthusiasts for over a century, well into our present age: the survival of hand-made representational artworks in the epoch of photography, film and, latterly, digital reproduction.
Produktinformation
Utgivningsdatum2025-09-18
Mått186 x 244 x 18 mm
Vikt800 g
FormatHäftad
SpråkEngelska
Antal sidor288
FörlagBloomsbury Publishing PLC
ISBN9781350453531
UtmärkelserShort-listed for The PROSE Award 2026 (United States)
Christopher Green is Emeritus Professor at the Courtauld Institute of Art, UK and is a Fellow of the British Academy. He is the author and editor of numerous volumes, including: Cubism and its Enemies (1987) which was the recipient of the Mitchell Prize for 20th Century art; Juan Gris (1993); Art in France, 1900-1940 (2000); Picasso’s ‘Les Demoiselles d’Avignon’ (2001); Picasso: Architecture and Vertigo (2005); Cubism and War: The Crystal in the Flame (2016).
List of Illustrations Acknowledgements Note on TranslationsIntroduction: Cubism Now 1. A Last Stand for Painting: Georges Braque and John Golding; Pablo Picasso and Roy LichtensteinBeginning at the EndNumbersWith and Against Post-1945 "Modern Art"Picasso’s Painter and his Model Series and Roy Lichtenstein’s “Idiot” PicassosBraque’s Studios and the “Reality of Space”The Distance between Cubism and Modern Art after 19602. The Act of Seeing: The Early Cubism of Braque, Picasso and GrisGoing beyond Les Demoiselles d’AvignonAnalytical Cubism?Learning-by-doing: Braque’s Cubist BeginningsLearning-by-doing: Picasso’s Cubist BeginningsJuan Gris Joins In3. Learning to See Again: Braque and Picasso Before Collage, 1910-12Unknown MasterpiecesRe-startFailure?Braque, “L’infinition” and an Invitation with Picasso to WonderlandSuccess? Looking and SeeingLight and the Immaterial4. Simple Facts? The Arrival of Collage: Gris, Picasso, BraqueJuan Gris’s Critique and the Discovery of CollageBraque and Picasso: The First Papiers Collés – Drawing with Papers, Sketching in AirPicasso and Braque: From Drawing to Making New ThingsJuan Gris: Collage and Interrogative PaintingBraque and Picasso: What Can Be for Ever?5. Postscript: Dada, Classic Realism, Cubism: Francis Picabia versus PicassoNotes Index
Green now adds Cubism and Reality to his own sequence of essential publications...the results of a lifetime of detailed research, which, through acute investigation, coalesce into persuasive and perceptive arguments. Green draws upon, and questions, alternative views with characteristic generosity and courtesy.