Consumers, Tinkerers, Rebels

Ruth Oldenziel is Full Professor in American and European History at the Eindhoven University of Technology, the Netherlands. Her publications include books and articles in American, European, gender, and technology studies: 'Islands' (in Entangled Geographies edited Gabriel Hecht MIT 2011) Cold War Kitchen (MIT, 2009 co-edited with Karin Zachmann); Making Technology Masculine: (AUP 1999); 'Boys and their Toys in America' (Technology and Culture 1997).   Mikael Hård is Full Professor of History of Technology at Darmstadt University of Technology, Germany. His publications include Hubris and Hybrids: A Cultural History of Technology and Science (Routledge 2005; co-written with Andrew Jamison) and Urban Machinery: Inside Modern European Cities (MIT Press 2008; co-edited with Thomas J. Misa).

• IntroductionPART I: THE NINETEENTH CENTURY: SHAPING NEW TECHNOLOGIES 1. Poaching from Paris2. Creating European Comfort 3. Crossing Borders in Style?PART II: AFTER THE GREAT WAR: WHO DIRECTS TECHNOLOGY? 4. Bicycling and Driving Europe5. Eating around the Continent 6. Living in State-sponsored EuropePART III: BEYOND THE 1960S: USERS EMPOWERED? 7. Saving the Nation, Saving the Earth8. Toying with America, Toying with Europe Conclusion

"The book adds to the literature on technology and users by considering various technologies through a wide-ranging European perspective. ... Those interested specifically in the history of train technology may feel that this argument 'railroads' the influence of users at the expense of economic considerations. ... It stands alone ... as a comprehensive appraisal of the ways in which Europeans variously modified and moulded technologies to suit their own ends." (Coreen McGuire, British Journal for the History of Science, Vol. 48 (4), December, 2015) "In this entertaining fusion of social and technological history, Ruth Oldenziel and Mikael Hard argue that much of Europe's contemporary culture was created from below after 1850, as active consumers tinkered with and appropriated both machines and processes to change the ways that they worked, traveled, communicated, dressed, and ate. Not politicians or generals but consumers have increasingly shaped the experiences that define what it means to be European." - David E. Nye, author of Technology Matters and America's Assembly Line "From cycling to the internet, and from Magdeburg to Milan, this rich comparative study reveals how attention to users and the social construction of technology can illuminate the history of modern Europe" - Frank Trentmann, author of Consuming Cultures, Global Perspectives (with John Brewer) "...an engaging, beautifully illustrated history of Europe's technological inventions, crafts, design, and gadgetry over the last two centuries, but especially of the peoples of Europe - as train riders, sewing machine operators, bicyclists, radio hobbyists, home-makers, hobbyists, and computer mavens. Wide in scope, profound in its questions about the multiplicity of European ways of living, it is also timely background for considering the impact on European technology and craft of global cyber-innovation and the new environment of global manufacturing." - Victoria de Grazia, Columbia University "Consumers, Tinkerers, Rebels is an impressive achievement. Prioritizing the humble and mundane material culture and positioning consumers and users as The People Who Shaped Europe is a bold and provocative move in a field where the master narratives at least have been dominated by great inventors and entrepreneurs, spectacular innovations and heavy technology. An equally important feature of the book, which is also deeply embedded in the Tensions of Europe network, is the remarkably broad geographical coverage. Although both authors are North-West Europeans, they have accomplished an outstandingly balanced treatment of west versus east, north versus south and large versus small. Design historians would do well to consult Consumers, Tinkerers, Rebels, both as an example of how transnational history can be written, but also as proof of the potential relevance of design history to a broader academic community." - Journal of Design History