Tess Knighton, Ph.D. (1984, University of Cambridge) is an ICREA Research Professor at the Institució Milà i Fontanals (CSIC), Barcelona. She has published widely on music and culture in the Iberian World in the late medieval and early modern periods.

• ContentsList of Figures viiList of Music Examples xList of Tables xiiList of Contributors xviIntroduction 1Tess Knighton1 Music for the Royal Chapels 21Kenneth Kreitner2 Secular Song in Fifteenth-Century Spain 60Jane Whetnall3 Instruments, Instrumental Music and Instrumentalists: Traditionsand Transitions 97Tess Knighton4 Music and Spectacle 145Ronald E. Surtz5 Love and Liberality? Music in the Courts of the Spanish Nobility 173Roberta Freund Schwartz6 Music and Musicians at the Portuguese Royal Court and Chapel,c. 1470–c. 1500 205Bernadette Nelson7 Cathedral Soundscapes: Some New Perspectives 242Juan Ruiz Jiménez8 Chant, Liturgy and Reform 282Mercedes Castillo-Ferreira9 Musical Cultures in the Reinos de Indias at the Time of Isabel andFerdinand 323Javier Marín López10 The Roman Connection: The Spanish Nation in the Papal Chapel,1492–1521 364Richard Sherr11 Manuscripts of Polyphony from the Time of Isabel andFerdinand 404Emilio Ros-Fábregas12 Spanish Treatises on Musica Practica c. 1480–1525: Reflections from aCultural Perspective 469Pilar Ramos López13 Unwritten Music and Oral Traditions at the Time of Ferdinand andIsabel 504Giuseppe Fiorentino14 Lost Voices: Women and Music at the Time of the CatholicMonarchs 549Ascensión Mazuela-Anguita15 Musical Lives: Late medieval Hispano-Jewish Communities 579Eleazar GutwirthWorks Cited 617Index 702

'A milestone of state-of-the-art research by nearly all of the most active scholars in the field. The scholarship is rigorous and wide-ranging, and clearly the product of recent and ongoing colloquy between the authors and the editor… a deeply satisfying mosaic of current knowledge that richly serves both specialists and the informed general reader and that will set the research agenda for further decades.' Michael Noone in: Renaissance Quarterly LXXI (2018). "Sin duda indispensable y modélico para cualquier estudioso de la historia de la música y de sus períodos."Juan Carlos Asensio, in Anuario de Estudios Medievales 49 (2019).

Tess Knighton, Ph.D. (1984, University of Cambridge) is an ICREA Research Professor at the Institució Milà i Fontanals (CSIC), Barcelona. She has published widely on music and culture in the Iberian World in the late medieval and early modern periods.

• ContentsList of Figures viiList of Music Examples xList of Tables xiiList of Contributors xviIntroduction 1Tess Knighton1 Music for the Royal Chapels 21Kenneth Kreitner2 Secular Song in Fifteenth-Century Spain 60Jane Whetnall3 Instruments, Instrumental Music and Instrumentalists: Traditionsand Transitions 97Tess Knighton4 Music and Spectacle 145Ronald E. Surtz5 Love and Liberality? Music in the Courts of the Spanish Nobility 173Roberta Freund Schwartz6 Music and Musicians at the Portuguese Royal Court and Chapel,c. 1470–c. 1500 205Bernadette Nelson7 Cathedral Soundscapes: Some New Perspectives 242Juan Ruiz Jiménez8 Chant, Liturgy and Reform 282Mercedes Castillo-Ferreira9 Musical Cultures in the Reinos de Indias at the Time of Isabel andFerdinand 323Javier Marín López10 The Roman Connection: The Spanish Nation in the Papal Chapel,1492–1521 364Richard Sherr11 Manuscripts of Polyphony from the Time of Isabel andFerdinand 404Emilio Ros-Fábregas12 Spanish Treatises on Musica Practica c. 1480–1525: Reflections from aCultural Perspective 469Pilar Ramos López13 Unwritten Music and Oral Traditions at the Time of Ferdinand andIsabel 504Giuseppe Fiorentino14 Lost Voices: Women and Music at the Time of the CatholicMonarchs 549Ascensión Mazuela-Anguita15 Musical Lives: Late medieval Hispano-Jewish Communities 579Eleazar GutwirthWorks Cited 617Index 702

'A milestone of state-of-the-art research by nearly all of the most active scholars in the field. The scholarship is rigorous and wide-ranging, and clearly the product of recent and ongoing colloquy between the authors and the editor… a deeply satisfying mosaic of current knowledge that richly serves both specialists and the informed general reader and that will set the research agenda for further decades.' Michael Noone in: Renaissance Quarterly LXXI (2018). "Sin duda indispensable y modélico para cualquier estudioso de la historia de la música y de sus períodos."Juan Carlos Asensio, in Anuario de Estudios Medievales 49 (2019).

Tess Knighton, Ph.D. (1984, University of Cambridge) is an ICREA Research Professor at the Institució Milà i Fontanals (CSIC), Barcelona. She has published widely on music and culture in the Iberian World in the late medieval and early modern periods.

• ContentsList of Figures viiList of Music Examples xList of Tables xiiList of Contributors xviIntroduction 1Tess Knighton1 Music for the Royal Chapels 21Kenneth Kreitner2 Secular Song in Fifteenth-Century Spain 60Jane Whetnall3 Instruments, Instrumental Music and Instrumentalists: Traditionsand Transitions 97Tess Knighton4 Music and Spectacle 145Ronald E. Surtz5 Love and Liberality? Music in the Courts of the Spanish Nobility 173Roberta Freund Schwartz6 Music and Musicians at the Portuguese Royal Court and Chapel,c. 1470–c. 1500 205Bernadette Nelson7 Cathedral Soundscapes: Some New Perspectives 242Juan Ruiz Jiménez8 Chant, Liturgy and Reform 282Mercedes Castillo-Ferreira9 Musical Cultures in the Reinos de Indias at the Time of Isabel andFerdinand 323Javier Marín López10 The Roman Connection: The Spanish Nation in the Papal Chapel,1492–1521 364Richard Sherr11 Manuscripts of Polyphony from the Time of Isabel andFerdinand 404Emilio Ros-Fábregas12 Spanish Treatises on Musica Practica c. 1480–1525: Reflections from aCultural Perspective 469Pilar Ramos López13 Unwritten Music and Oral Traditions at the Time of Ferdinand andIsabel 504Giuseppe Fiorentino14 Lost Voices: Women and Music at the Time of the CatholicMonarchs 549Ascensión Mazuela-Anguita15 Musical Lives: Late medieval Hispano-Jewish Communities 579Eleazar GutwirthWorks Cited 617Index 702

'A milestone of state-of-the-art research by nearly all of the most active scholars in the field. The scholarship is rigorous and wide-ranging, and clearly the product of recent and ongoing colloquy between the authors and the editor… a deeply satisfying mosaic of current knowledge that richly serves both specialists and the informed general reader and that will set the research agenda for further decades.' Michael Noone in: Renaissance Quarterly LXXI (2018). "Sin duda indispensable y modélico para cualquier estudioso de la historia de la música y de sus períodos."Juan Carlos Asensio, in Anuario de Estudios Medievales 49 (2019).