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While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a sceptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970.Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists—often in the contested arena of “primitive art.” It presents better- and lesser-known actors, from the art historian-anthropologist Aby Warburg to the modernist Brazilian artist Tarsila do Amaral, and from curators-museum directors such as Alfred Barr and René d’Harnoncourt to the curator-impresario Leo Frobenius. Entering the current debates on decolonizing the past, this collection will prompt reflection on future relations between these two fields.
Peter Probst is professor of art history and anthropology at Tufts University in Boston where he works in the fields of African art, historiography, and museum studies.Joseph Imorde is professor of art history at the Weissensee Kunsthochschule, Berlin.
Introduction - Peter ProbstThe Allure of Architectural Ornament: Ethnographic Art and the“Shortcomings” of Inka Stonemasonry - Carolyn DeanAnatomy of a Chronological Hallucination: The Category of Primitive Artand Élie Faure’s L’art medieval - John Warne MonroeEthnology at the Margins of “General Art History”: The Case of Alois Hein -Priyanka BasuWhat Happens When Natives Draw? Theodor Koch-Grünberg and theBeginnings of World Art History - Claudia Mattos AvoleseBoas and Semper: From the Biology of Images to Primitive Art - Carlo SeveriEmpathy with the Unknown: Reproducing “World Art” after 1900 - JosephImordeFatal Attraction: Carl Einstein’s “Ethnological” Turn - Charles W.HaxthausenPathos and Paideuma: Aby Warburg, Leo Frobenius, and the Demons ofCulture - Peter ProbstErnst Vatter: A Forgotten Pioneer of Art Ethnology - Karl-Heinz KohlThe Anthropologist as Critic: Claude Lévi-Strauss - Boris WisemanRené d’Harnoncourt, Twentieth-Century Cultural Broker: Bridging ArtHistory and Anthropology through the Display of Indigenous Art - NancyLutkehausOutside and Inside Art History: Anthropologists, Art Historians, Curators,and the Recognition of Aboriginal Art - Howard MorphyContributorsIllustration CreditsIndex