Van der Merwe has skillfully used both her academic and her professional musical skills in this compact overview of the American songbook, particularly popular songs from the 1920s to the 1950s. Following a time line, the author focuses on a selected few songs—e.g., ‘Blue Skies,’ ‘I Got Rhythm,’ ‘Night and Day,’ and ‘All the Things You Are.’ She devotes chapters to composers (among them Irving Berlin, Harold Arlen, and E. Y. Harburg), stage shows and musical comedies (such as Lady, Be Good!), musical films (including Singin' in the Rain), and the connections between jazz and popular songs. In a chapter titled ‘Interpreters of the American Songbook,’ the author looks at Ethel Merman, Fred Astaire, Helen Forrest, Billie Holiday, Judy Garland, Ella Fitzgerald, Frank Sinatra, Tony Bennett, and Diana Krall. The two concluding chapters discuss the role of the American songbook from the 1950s onward, providing useful discussions of singers Audra McDonald and Brian Stokes Mitchell. Van der Merwe is particularly interested in the changing role of technology. Including a helpful discography as well as a bibliography, this is a valuable introduction to the subject.Summing Up: Recommended. Lower- and upper-division undergraduates; professionals; general readers.