Yvette Hutchison is Associate Professor, Department of Theatre & Performance Studies, University of Warwick. CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin. Jane Plastow is Professor of African Theatre, University of Leeds. CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin.

• Foreword - Jane Plastow and Yvette Hutchison and Christine MatzkeIntroduction - Sandra RichardsThe work of Dalia Basiouny: an artist's account - Dalia BasiounyPerformativities as activism: addressing gender-based violence and rape culture in South Africa & beyond - Nicola CloetePerformativities as activism: addressing gender-based violence and rape culture in South Africa & beyond - Sara MatchettExploring poetic voice in the Uganda Women's Intergenerational Theatre Project - Susan Nalugwa Kiguli and Jane Plastow'After images': impressions of the 'after' by South Africa performer-choreographer Mamela Nyamza's - Alude MahaliJallila Baccar of Tunisia: a portrait of an artist - Marvin CarlsonIn conversation: interrogating and shifting societal perceptions of women in Botswana through theatre - Lebogang DiseleBinti Leo: women in the arts in Tanzania - Vicensia ShuleOdile Gakire Katese: making art & reinventing culture with women: interview - Ariane ZaytzeffContemporary Ethiopian actresses - Jane Plastow and Mahlet SolomonIntroduction to Sefi Atta's The Sentence - Christine MatzkePlayscript: The Sentence by Sefi Atta - Sefi AttaBook reviews

The geographical span of the work under discussion is impressive, moving through Egypt, Tunisia, Uganda, Nigeria, Tanzania, Botswana, South Africa, France, the UK, U.SA and Germany.

Yvette Hutchison is Associate Professor, Department of Theatre & Performance Studies, University of Warwick. CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin. Jane Plastow is Professor of African Theatre, University of Leeds. CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin.

• Foreword - Jane Plastow and Yvette Hutchison and Christine MatzkeIntroduction - Sandra RichardsThe work of Dalia Basiouny: an artist's account - Dalia BasiounyPerformativities as activism: addressing gender-based violence and rape culture in South Africa & beyond - Nicola CloetePerformativities as activism: addressing gender-based violence and rape culture in South Africa & beyond - Sara MatchettExploring poetic voice in the Uganda Women's Intergenerational Theatre Project - Susan Nalugwa Kiguli and Jane Plastow'After images': impressions of the 'after' by South Africa performer-choreographer Mamela Nyamza's - Alude MahaliJallila Baccar of Tunisia: a portrait of an artist - Marvin CarlsonIn conversation: interrogating and shifting societal perceptions of women in Botswana through theatre - Lebogang DiseleBinti Leo: women in the arts in Tanzania - Vicensia ShuleOdile Gakire Katese: making art & reinventing culture with women: interview - Ariane ZaytzeffContemporary Ethiopian actresses - Jane Plastow and Mahlet SolomonIntroduction to Sefi Atta's The Sentence - Christine MatzkePlayscript: The Sentence by Sefi Atta - Sefi AttaBook reviews

The geographical span of the work under discussion is impressive, moving through Egypt, Tunisia, Uganda, Nigeria, Tanzania, Botswana, South Africa, France, the UK, U.SA and Germany.

Yvette Hutchison is Associate Professor, Department of Theatre & Performance Studies, University of Warwick. CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin. Jane Plastow is Professor of African Theatre, University of Leeds. CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin.

• Foreword - Jane Plastow and Yvette Hutchison and Christine MatzkeIntroduction - Sandra RichardsThe work of Dalia Basiouny: an artist's account - Dalia BasiounyPerformativities as activism: addressing gender-based violence and rape culture in South Africa & beyond - Nicola CloetePerformativities as activism: addressing gender-based violence and rape culture in South Africa & beyond - Sara MatchettExploring poetic voice in the Uganda Women's Intergenerational Theatre Project - Susan Nalugwa Kiguli and Jane Plastow'After images': impressions of the 'after' by South Africa performer-choreographer Mamela Nyamza's - Alude MahaliJallila Baccar of Tunisia: a portrait of an artist - Marvin CarlsonIn conversation: interrogating and shifting societal perceptions of women in Botswana through theatre - Lebogang DiseleBinti Leo: women in the arts in Tanzania - Vicensia ShuleOdile Gakire Katese: making art & reinventing culture with women: interview - Ariane ZaytzeffContemporary Ethiopian actresses - Jane Plastow and Mahlet SolomonIntroduction to Sefi Atta's The Sentence - Christine MatzkePlayscript: The Sentence by Sefi Atta - Sefi AttaBook reviews

The geographical span of the work under discussion is impressive, moving through Egypt, Tunisia, Uganda, Nigeria, Tanzania, Botswana, South Africa, France, the UK, U.SA and Germany.