“Penetrating and lucid, The Aesthetic Turn in Cervantes looks back to Antiquity but also forward to an eighteenth-century long regarded as the genesis of modern aesthetics. Byrne’s intricate grasp on the most hermetic of premodern debates on poetics, sensory perception, and beauty allows her to boldly revise enduring scholarly assumptions, placing Cervantes at the vanguard of an early modern movement to conceptualize and expand the boundaries of the arts.”