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With a few notable exceptions, the fundamental role that women played in the development of abstract art has long been underestimated, and their work has not received the same critical attention as that of their male counterparts. Now, at last, the tide is turning. The latest historiographical advances illustrated by numerous recent publications, monographs and thematic exhibitions make it possible to reassess the importance of the contribution of women artists to the different currents of abstraction, while at the same time questioning the patterns of the past. Edited by Christine Macel, this catalogue and the exhibition it accompanies highlights the contributions of a hundred or so women artists to abstraction up to the 1980s, with a few unprecedented forays into the 19th century. By focusing on the careers of artists so often unjustly eclipsed, the book questions the established canons and offers an alternative history of abstraction, from the symbolist abstraction of Hilma Af Klint, to the sensual abstraction of Huguette Caland, to the purist non-objective approach of Verena Von Loewensberg. Essays by noted scholars explore the techniques, concerns and legacies of these women, shedding light on their unique experiences and offering keen new reflections on their work and the movement as a whole.With 350 illustrations
Christine Macel is a French curator. She was the director of the 2017 Venice Biennale, and is chief curator at the Centre Pompidou, Paris.
Foreword by Serges LasvignesPreface by Bernard Blistene EssaysShe Makes Abstraction, Christine MacelAbstraction? Co-Creation?, Griselda PollockWomen Artists and Abstract Photography, Karolina Ziebinska-LewandowskaStand Up Against, Right Up Against, Anne Montfort-TanguyWhere Was Sisterhood?, Abigail Solomon-Godeau Works1. Art, Spiritualism and Theosophy2. The Pioneers of Abstraction in Dance3. Women in Vorticism4. Women in the Russian Avant-Garde5. Women at the Bauhaus6. Microphotography, Pattern, Decoration, Abstraction7. From Cercle et Carre to Abstraction-Creation8. Creative Photography at the Texas Woman’s University9. The Enduring Legacies of Hilla Rebay and Peggy Guggenheim10. Finished Pictures, Polish, Candy: Women Artists of the New York School11. Fibre Art, Soft Art12. Eccentric Abstraction13. Whose Voice? Women Film-Makers and Cinema History in the 1970s14. Beyond Boundaries: Black Art in America, 1960-198015. The Abstract Concept of ‘Woman’: Griselda Pollock, Lucy R. Lippard, Linda NochlinChronology
'As a survey and history of abstract art the book stands as something as complete as you could wish ... One has to be wary of describing books as ground-breaking, because the truth is they are usually built on work that has gone before and ride a rising tide. This is, however, a major contribution to art history in general and a neglected corner (if that’s the right word) in particular' - Art Book Review