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This book analyzes the ways in which women were viewed by men through a variety of literary and other discourses, from the Divine Comedy to the 20th century. A further dimension is provided by tracing the evolution of the cultural and social identity of women as perceived by women themselves.
Mirna Cicioni Senior Lecturer,Department of Italian Studies, La Trobe University Nicole Prunster
Matelda - poetic image or archetype?, F. Coassin; Francesca revisited, D. Cavuoto; men framing women - Sabadino degli Arienti's "Gynevera de la Clare Donne" re-examined, S.D. Kolsky; female protagonists in late 16th century Italian comedy - more errant than erring, N. Prunster; the women characters of Carlo Emilio Gadda, M. Baker; the failure of the female experiment in Pavese's "La lune e i falo", W. Musolino; the double gaze - visibility of sexual gender in photographic representations (1908-1918), P. di Cori; the role of women in the lullabies of Emilia-Romagna and Tuscany, P. Carroli; cosmology of liberation - black and other popular madonnas at Easter, L.C Birnbaum; three generations of women - transformations of female identity models in Italy, F. Bimbi; the women's movement in Italy and the events of 1968, L. Passerini; "fra madre a marito" - the mother/daughter relationship in Dacia Laraini's "lettere a Marina", P. Dagnino; violence against women and the response of Italian institutions, T.L. Bassi.