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This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era.
Thomas Christensen is Professor of Music and the Humanities at the University of Chicago.
Thomas ChristensenGenres of Music Theory, 1650-1750Penelope GoukScience and Music, or the Science of Music: Some Little-known Examples of "Music Theory" between 1650 and 1750Gérard GeayL'édition de la polyphonie française du 17e siècleSusan McClaryTowards a History of Harmonic TonalityMarkus JansTowards a History of the Origin and Development of the Rule of the OctaveJoel LesterThoroughbass as a Path to Composition in the Early Eighteenth CenturyMarc VanscheeuwijckGiovanni Paolo Colonna and Petronio Franceschini: Building Acoustics and Compositional Style in Late Seventeenth-Century BolognaPersonaliaColophon
Jean-Pierre Bartoli, Hubert Mossburger, Jeanne Roudet, Douglass Seaton, Edoardo Torbianelli, William Brooks, University of York) Brooks, William (Professor of Music
Jean-Pierre Bartoli, Hubert Mossburger, Jeanne Roudet, Douglass Seaton, Edoardo Torbianelli, William Brooks, University of York) Brooks, William (Professor of Music