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In this pioneering study Edith Hall explores the numerous different ways in which we can understand the relationship between the real, social world in which the Athenians lived and the theatrical roles that they invented. In twelve studies of role types and the theatrical conventions that contributed to their creation - including women in childbirth, drowning barbarians, horny satyrs, allegorical representations of Comedy, peasant farmers, tragic masks, and solo sung arias - she advances the argument that the interface between ancient Greek drama and social reality must be understood as a complicated and incessant process of mutual cross-pollination.
Edith Hall is Professor of Classics and Drama at Royal Holloway, University of London, and Co-Director, Archive of Performances of Greek and Roman Drama at the University of Oxford.
1. Introduction ; 2. The Theatrical Roles of Athens ; 3. Childbearing Women: Birth and Family Crisis in Ancient Drama ; 4. Visible Women: Painted Masks and Tragic Aesthetics ; 5. Horny Satyrs and Tragic Tetralogies ; 6. Metapoetic Females in Old Comedy ; 7. Recasting the Barbarian ; 8. The Scythian Archer in Aristohanes' 'Thesmophoriazusae' ; 9. Drowning Act: The Greeks, Swimming, and Timotheus' 'Persians' ; 10. Singing Roles in Tragedy ; 11. Casting the Role of Trygaeus in Aristophanes' 'Peace' ; 12. Lawcourt Dramas: Acting and Performance in Legal Oratory ; Afterword
...the papers are so interesting to follow and offer so many juxtapositions and ideas as they proceed, they are both enjoyable and valuable
Rosie Wyles, Rosie Wyles, Edith Hall, University of Kent) Wyles, Rosie (Lecturer in Classical History and Literature, Lecturer in Classical History and Literature, King's College London) Hall, Edith (Professor of Classics, Professor of Classics
Rosie Wyles, Edith Hall, University of Kent) Wyles, Rosie (Lecturer in Classical History and Literature, Lecturer in Classical History and Literature, King's College London) Hall, Edith (Professor of Classics, Professor of Classics