The Oxford Handbook of Global Modernisms

Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945. Matt Eatough is Assistant Professor of English at Baruch College, City University of New York.

• Introduction ; Mark Wollaeger ; Part I : Opening Places, Opening Methods ; 1. The Balkans Uncovered: Towards Historie Croisee of Modernism ; Sanja Bahun ; 2 . Caribbean Modernism: Plantation to Planetary ; Mary Lou Emery ; Part II : Temporality ; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist ; Trajectories ; Edwige Tamalet Talbayev ; 4. The Temporalities of Modernity in Spanish American Modernismo : ; Dario's Bourgeois King ; Gerard Aching ; 5. Nation Time: Richard Wright, Black Power, and Photographic ; Modernism ; Sara Blair ; 6. Chinese Modernism, Mimetic Desire, and European Time ; Eric Hayot ; Part III : Whose Modernism? ; 7. The Will to Allegory and the Origin of Chinese Modernism: ; Rereading Lu Xun's Ah Q-Th e Real Story ; Xudong Zhang ; 8. Neither Mirror nor Mimic: Transnational Reading and Indian ; Narratives in English ; Jessica Berman ; 9. Modernism and African Literature ; Neil Lazarus ; Part IV: Forms and Modes ; 10. " Petro-Magic Realism": Ben Okri's Infl ationary Modernism ; Sarah L. Lincoln ; 11. Little Magazines, World Form ; Eric Bulson ; 12. Poetry, Modernity, Globalization ; Jahan Ramazani ; Part V: Comparative Avant-Gardes ; 13. Futurist Geographies: Uneven Modernities and the Struggle for ; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914 ; Harsha Ram ; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's ; Avant-Gardes ; Vicky Unruh ; 15. Queer Internationalism and Modern Vietnamese Aesthetics ; Ben Tran ; Part VI: Forms of Sociality ; 16. Cosmopolitanism and Modernism ; Janet Lyon ; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual ; Peter Kalliney ; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish ; Modernism in Europe ; Shachar Pinsker ; Part VII : Locating the Transnational ; 19. Th e Circulation of Interwar Anglophone and Hispanic ; Modernisms ; Gayle Rogers ; 20. Scandinavian Modernism: Stories of the Transnational ; and the Discontinuous ; Anna Westerstahl Stenport ; 21. World Modernisms, World Literature, and Comparativity ; Susan Stanford Friedman ; Part VIII : Translation Zones: Culture, Language, Media ; 22. Modernism Disfi gured: Turkish Literature and the "Other West" ; Nergis Erturk ; 23. Modernism's Translations ; Rebecca Beasley ; 24. Japanese Modernism and "Cine-Text": Fragments and Flows at ; Empire's Edge in Kitagawa Fuyuhiko and Yokomitsu Riichi ; William O. Gardner ; Part IX : Film as Vernacular Modernism ; 25. T racking Cinema on a Global Scale ; Miriam Bratu Hansen ; 26. Visions of Modernity in Colonial India: Cinema,Women, and the City ; Manishita Dass ; 27. Vernacular Modernism and South African Cinema: Capitalism, ; Crime, and Styles of Desire ; Rosalind C. Morris ; Part X : Afterword ; 28. Modernist Studies and Inter-Imperiality in the Longue Duree ; Laura Doyle ; Notes on Contributors ; Index