Kate Aughterson is Principal Lecturer and Academic Programme Leader for English Literature at the University of Brighton, UK. She is the author of Webster: The Tragedies and Aphra Behn: The Comedies, both also in the Analysing Texts series.

• General Editor's PrefaceA Note on EditionsIntroduction: Ways of ReadingPART I: ANALYSING SHAKESPEARE'S LATE PLAYS1. Openings2. Turning Points: Tragedy and Comedy3. Endings4. Fathers, Sons and Husbands5. Mothers, Daughters and Wives6. Masters, Servants and Slaves: Society and Politics7. Stage Properties8. Spectacle and Theatricality9. Music and SongGeneral Conclusions to Part IPART II: THE CONTEXT AND THE CRITICS Shakespeare's Literary CareerJacobean ContextsSample Critical Views and PerformancesFurther ReadingIndex.

Kate Aughterson is Principal Lecturer and Academic Programme Leader for English Literature at the University of Brighton, UK. She is the author of Webster: The Tragedies and Aphra Behn: The Comedies, both also in the Analysing Texts series.

• General Editor's PrefaceA Note on EditionsIntroduction: Ways of ReadingPART I: ANALYSING SHAKESPEARE'S LATE PLAYS1. Openings2. Turning Points: Tragedy and Comedy3. Endings4. Fathers, Sons and Husbands5. Mothers, Daughters and Wives6. Masters, Servants and Slaves: Society and Politics7. Stage Properties8. Spectacle and Theatricality9. Music and SongGeneral Conclusions to Part IPART II: THE CONTEXT AND THE CRITICS Shakespeare's Literary CareerJacobean ContextsSample Critical Views and PerformancesFurther ReadingIndex.

Kate Aughterson is Principal Lecturer and Academic Programme Leader for English Literature at the University of Brighton, UK. She is the author of Webster: The Tragedies and Aphra Behn: The Comedies, both also in the Analysing Texts series.

• General Editor's PrefaceA Note on EditionsIntroduction: Ways of ReadingPART I: ANALYSING SHAKESPEARE'S LATE PLAYS1. Openings2. Turning Points: Tragedy and Comedy3. Endings4. Fathers, Sons and Husbands5. Mothers, Daughters and Wives6. Masters, Servants and Slaves: Society and Politics7. Stage Properties8. Spectacle and Theatricality9. Music and SongGeneral Conclusions to Part IPART II: THE CONTEXT AND THE CRITICS Shakespeare's Literary CareerJacobean ContextsSample Critical Views and PerformancesFurther ReadingIndex.