Every section under discussion is clearly illustrated with music examples or graphs that highlight the author's command of Schenkerian analytic techniques. Beach sheds light on some of the most radical aspects of [Schubert's] late music, such as structure, formal hybridity, innovative key relationships, formal and tonal organization, motivic and thematic relationships, and his treatment of harmony. His findings are aptly summarized in an epilogue: a short reflection on Schubert's mature style as evidenced in the instrumental works just analyzed.