Satanic Verses

Salman Rushdie is the author of fourteen previous novels, including Midnight’s Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, The Moor’s Last Sigh, and Quichotte, all of which have been shortlisted for the Booker Prize; a collection of stories, East, West; a memoir, Joseph Anton; a work of reportage, The Jaguar Smile; and three collections of essays, most recently Languages of Truth. His many awards include the Whitbread Prize for Best Novel, which he won twice; the PEN/Allen Foundation Literary Service Award; the National Arts Award; the French Prix du Meilleur Livre Étranger; the European Union’s Aristeion Prize for Literature; the Budapest Grand Prize for Literature; and the Italian Premio Grinzane Cavour. He is a member of the American Academy of Arts and Letters and a fellow of the American Academy of Arts and Sciences, and he is a Distinguished Writer in Residence at New York University. He is a former president of PEN America. His books have been translated into over forty languages.

• The Satanic VersesI. The Angel GibreelII. MahoundIII. Ellowen DeeowenIV. AyeshaV. A City Visible but UnseenVI. Return to JahiliaVII. The Angel AzraeelVIII. The Parting of the Arabian SeaIX. A Wonderful Lamp

"Salman Rushdie is a storyteller of prodigious powers, able to conjure up whole geographies, causalities, climates, creatures, customs, out of thin air." -- The New York Times Book Review"...a surreal hallucinatory feast." -- Kirkus Reviews"...a splendid feast." -- Publishers Weekly“[A] torrent of endlessly inventive prose, by turns comic and enraged, embracing life in all its contradictions. In this spectacular novel, verbal pyrotechnics barely outshine its psychological truths.”—Newsday“Exhilarating, populous, loquacious, sometimes hilarious, extraordinary . . . a roller-coaster ride over a vast landscape of the imagination.”—The Guardian—The Times (London)"In pure aesthetic terms, “The Satanic Verses” is a delight: funny, broadly erudite and wrenchingly gorgeous. And as a matter of politics and religion, this novel embodies the unique ideological power of art: to push beyond what’s possible, to say what would be too costly for actors in another arena to speak aloud, to expand the audience’s sense of what the world can be." -- Alyssa Rosenberg, The Washington Post