Eglal Doss-Quinby is a translator and literary scholar specializing in Old French songs and motets. She is Professor of French Studies at Smith College.Gaël Saint-Cricq is a music scholar specializing in polyphony and song in the long thirteenth century. He is Maître de conférences at the Université de Rouen.Samuel N. Rosenberg was a literary scholar and translator of French poetry of the Middle Ages and the nineteenth century. He was Professor Emeritus of French at Indiana University and the translator of Robert the Devil and Paul Verlaine: A Bilingual Selection of His Verse, both published by Penn State University Press.

• AcknowledgmentsList of AbbreviationsList of Manuscripts CitedIntroductionRobert de Reims, dit La Chievre: What We Know, What We Can SurmiseThe Corpus and Its Manuscript TraditionThematic ContentLanguageVersification: Strophic Structures, Rhyme, and Other Phonic EchoesMusic and Text in the Works of Robert de ReimsEditorial Policy for the Texts and TranslationsEditorial Policy for the MusicPresentation of the Critical ApparatusTablesNotesSongs and Motets1. Bien s’est Amors honie — Chanson2. Plaindre m’estuet de la bele en chantant — Chanson3. Qui bien veut Amors descrivre — Chanson à refrain4a. Quant voi le douz tens venir — Chanson avec des refrains4b. Qant voi le douz tens venir / (immo)latus — Motet5a. L’autrier de jouste un rivage — Pastourelle5b. L’autrier de jouste un rivage / domino quoniam — Motet6. Touse de vile champestre — Pastourelle7a. Quant fueillissent li buison — Chanson avec des refrains7b. Quant florissent li buisson / domino quoniam — Motet8a. Main s’est levee Aëliz — Chanson de rencontre8b. Main s’est levee Aëlis / (mansuetudi)nem — Motet9. Ja mais, por tant con l’ame el cors me bate — Sotte chanson contre AmoursBibliographyIndex of First Lines

“This edition provides a treasure trove of information on the songs and motets of Robert de Reims as well as the textual and cultural contexts in which they survive. The editors’ efforts provide tantalizing leads for further study.”—Daniel E. O'Sullivan Textual Cultures

Eglal Doss-Quinby is a translator and literary scholar specializing in Old French songs and motets. She is Professor of French Studies at Smith College.Gaël Saint-Cricq is a music scholar specializing in polyphony and song in the long thirteenth century. He is Maître de conférences at the Université de Rouen.Samuel N. Rosenberg was a literary scholar and translator of French poetry of the Middle Ages and the nineteenth century. He was Professor Emeritus of French at Indiana University and the translator of Robert the Devil and Paul Verlaine: A Bilingual Selection of His Verse, both published by Penn State University Press.

• AcknowledgmentsList of AbbreviationsList of Manuscripts CitedIntroductionRobert de Reims, dit La Chievre: What We Know, What We Can SurmiseThe Corpus and Its Manuscript TraditionThematic ContentLanguageVersification: Strophic Structures, Rhyme, and Other Phonic EchoesMusic and Text in the Works of Robert de ReimsEditorial Policy for the Texts and TranslationsEditorial Policy for the MusicPresentation of the Critical ApparatusTablesNotesSongs and Motets1. Bien s’est Amors honie — Chanson2. Plaindre m’estuet de la bele en chantant — Chanson3. Qui bien veut Amors descrivre — Chanson à refrain4a. Quant voi le douz tens venir — Chanson avec des refrains4b. Qant voi le douz tens venir / (immo)latus — Motet5a. L’autrier de jouste un rivage — Pastourelle5b. L’autrier de jouste un rivage / domino quoniam — Motet6. Touse de vile champestre — Pastourelle7a. Quant fueillissent li buison — Chanson avec des refrains7b. Quant florissent li buisson / domino quoniam — Motet8a. Main s’est levee Aëliz — Chanson de rencontre8b. Main s’est levee Aëlis / (mansuetudi)nem — Motet9. Ja mais, por tant con l’ame el cors me bate — Sotte chanson contre AmoursBibliographyIndex of First Lines

“This edition provides a treasure trove of information on the songs and motets of Robert de Reims as well as the textual and cultural contexts in which they survive. The editors’ efforts provide tantalizing leads for further study.”—Daniel E. O'Sullivan Textual Cultures

Eglal Doss-Quinby is a translator and literary scholar specializing in Old French songs and motets. She is Professor of French Studies at Smith College.Gaël Saint-Cricq is a music scholar specializing in polyphony and song in the long thirteenth century. He is Maître de conférences at the Université de Rouen.Samuel N. Rosenberg was a literary scholar and translator of French poetry of the Middle Ages and the nineteenth century. He was Professor Emeritus of French at Indiana University and the translator of Robert the Devil and Paul Verlaine: A Bilingual Selection of His Verse, both published by Penn State University Press.

• AcknowledgmentsList of AbbreviationsList of Manuscripts CitedIntroductionRobert de Reims, dit La Chievre: What We Know, What We Can SurmiseThe Corpus and Its Manuscript TraditionThematic ContentLanguageVersification: Strophic Structures, Rhyme, and Other Phonic EchoesMusic and Text in the Works of Robert de ReimsEditorial Policy for the Texts and TranslationsEditorial Policy for the MusicPresentation of the Critical ApparatusTablesNotesSongs and Motets1. Bien s’est Amors honie — Chanson2. Plaindre m’estuet de la bele en chantant — Chanson3. Qui bien veut Amors descrivre — Chanson à refrain4a. Quant voi le douz tens venir — Chanson avec des refrains4b. Qant voi le douz tens venir / (immo)latus — Motet5a. L’autrier de jouste un rivage — Pastourelle5b. L’autrier de jouste un rivage / domino quoniam — Motet6. Touse de vile champestre — Pastourelle7a. Quant fueillissent li buison — Chanson avec des refrains7b. Quant florissent li buisson / domino quoniam — Motet8a. Main s’est levee Aëliz — Chanson de rencontre8b. Main s’est levee Aëlis / (mansuetudi)nem — Motet9. Ja mais, por tant con l’ame el cors me bate — Sotte chanson contre AmoursBibliographyIndex of First Lines

“This edition provides a treasure trove of information on the songs and motets of Robert de Reims as well as the textual and cultural contexts in which they survive. The editors’ efforts provide tantalizing leads for further study.”—Daniel E. O'Sullivan Textual Cultures