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Jonathan Swift has had a profound impact on almost all the national literatures of Continental Europe. The celebrated author of acknowledged masterpieces like A Tale of a Tub (1704), Gulliver's Travels (1726), and A Modest Proposal (1729), the Dean of St Patrick's, Dublin, was courted by innumerable translators, adaptors, and retellers, admired and challenged by shoals of critics, and creatively imitated by both novelists and playwrights, not only in Central Europe (Germany and Switzerland) but also in its northern (Denmark and Sweden) and southern (Italy, Spain, and Portugal) outposts, as well as its eastern (Poland and Russia, Hungary, Romania, and Bulgaria) and Western parts - from the beginning of the 18th century to the present day.
Hermann J. Real is Professor of English at the Westfälische Wilhelms-Universität, Münster, and Director of the Ehrenpreis Centre for Swift Studies.
AcknowledgementsList of ContributorsAbbreviationsTimeline: European Reception of Jonathan SwiftIntroduction, Hermann J. Real1. Swift's First Voyages to Europe: His Impact on Eighteenth-Century France, Wilhelm Graeber2. The Italian Reception of Swift, Flavio Gregori3. Swift's Horses in the Land of the Caballeros, José Louis Chamosa4. A Lusitanian Dish: Swift to Portugese Taste, Jorge Miguel Bastos da Silva5. The Dean's Voyages into Germany, Astrid Krake, Hermann J. Real, and Marie-Luise Spieckermann6. Swiftian Presence in Scandinavia: Denmark, Norway, Sweden, Nils Hartmann7. No Swift Beyond Gulliver: Notes on the Polish Reception, Michael Düring8. From Russian 'Sviftovedenie' to the Soviet School of Swift Criticism: The Dean's Fate in Russia, Michael Düring9. Detecting Swift in the Czech Lands, Michael Düring 10. The Dean in Hungary, Gabriella Hartvig11. Swift's Impact on Bulgaria, Filipina Filipova12. From the Infantile to the Subversive: Swift's Romanian Adventures, Mihaela Mudure13. Swiftian Material Culture, Sabine BaltesBibliographyIndex