Radical Post-Modernism

Häftad, Engelska, 2011

599 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

In this latest issue of Architectural Design the guest editors are drawn, like the content, from contrasting tastes and generations. Charles Jencks, the definer of Post-Modernism for thirty years, discusses some issues that have re-emerged today, while the young group of British architects, FAT, argues for a particular version of RPM. An interview between Rem Koohaas and Charles Jencks discusses the influence of Post-Modernism while investigations of street art, graffiti and the 1980 Venice Biennale show that communication is at the heart of this radical strain of architecture. This issue brings together an unlikely and exciting pairing of guest-editors: internationally acclaimed critic Charles Jencks, whose name became synonymous with Post-modernism in the 80s, and the dynamic architectural group, FAT.Features work by: ARM, Atelier Bow Wow, Édouard François, FOA, Rem Koolhaas, John and Valerio Olgiati.

Produktinformation

Utgivningsdatum2011-09-23
Mått211 x 276 x 10 mm
Vikt567 g
FormatHäftad
SpråkEngelska
SerieArchitectural Design
Antal sidor144
FörlagJohn Wiley & Sons Inc
ISBN9780470669884

Tillhör följande kategorier

Arkitektur inom Kultur

5 EditorialHelen Castle6 About the Guest-EditorsCharles Jencks, Sean Griffiths, Charles Holland and Sam Jacob8 SpotlightVisual highlights of the issue14 IntroductionWhat is Radical Post-Modernism?Charles JencksPost-Modernism: An Incomplete ProjectFat24 Beyond the FlatlineSam Jacob32 Radical Post-Modernism and Content: Charles Jencks and Rem Koolhaas debate the issueJencks and Koolhaas exchange on Post-Modernism, preservation, the evil aura of the word ‘iconic’ and the Big Mac sandwich diagram.46 A Field Guide to Radical Post-ModernismFat62 Contextual CounterpointCharles Jencks68 Virtual Corpses, Figural Sections and Resonant FieldsSean Griffiths78 FAT Projects: Manifesting Radical Post-ModernismFat90 Questions of TasteCharles Holland98 Historicism versus Communication: The Basic Debate of the 1980 BiennaleLéa-Catherine Szacka The 1980 Venice Architecture Biennale brought Post-Modernism to the world’s attention, but also highlighted the tensions between historicism and communication.106 Too Good to Be True: The Survival of English Everyday PoMoKester Rattenbury114 The True Counterfeits of Banksy: Radical Walls of Complicity and SubversionEva Branscome122 Re-Radicalising Post-ModernismFat128 Counterpoint Not So Radical: An American PerspectiveJayne Merkel