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'Peter Kennard perfectly captures the brutal asymmetries of our age' - Naomi KleinThis fully illustrated anthology showcases key images from Peter Kennard's work as Britain's foremost political artist over the last fifty years.The book centres around Kennard's images, photomontages and illustrations from protests, year by year, which provoked public outrage; including Israel/Palestine protests, anti-nuclear protests, responses to austerity, climate destruction, and more. Each image is accompanied by captions detailing not only the events in question but also Kennard's approach to the work, including the genesis of the images and the techniques employed. Ultimately, the book highlights Kennard's extraordinary contribution to political art in the twenty-first century.
Peter Kennard is Professor of Political Art at the Royal College of Art. He is the author of Images for End of Century: Photomontages Equations (Pluto, 1999). In 2015, the Imperial War Museum hosted a year long retrospective of his work Peter Kennard: Unofficial War Artist. He has published numerous art monographs, and contributed his visuals to publications, magazines and news stories in the press.
Series PrefacePreface1. Feminist Futures: A Conditional Paeon for the Anything-Digital2. Scale, Subject and Stories: Unreal Objects3. Bland Ambition? Automation's Missing Visions4. Driving at the Anthropocene, or, Let's Get Out of Here: How?5. Technological Feminism and Digital FuturesBibliography
'These images refuse to be forgotten ... they remind us of the need to speak out in protest, the protests of the dead and the living'