Taking German literature and print culture as a case study, this book explores the ongoing life of books and the fate of reading after the advent of digital culture.A select group of scholars – all with direct links to German letters and culture – reflect on the history, practice, and effects of reading in light of changes stemming from the rise of digital media. This book offers an interdisciplinary German perspective, one with deep roots in print culture from the Gutenberg press's invention, on the international debates swirling around the theory and practice of reading over the course of the 19th and 20th centuries and into the present. The contributors to The Persistence of Reading in the Digital Age bring German print cultures and reading practices into dialogue with screen culture. These conversations contribute to “Leseforschung,” the emergent subfield that explores reading from critical historical and theoretical perspectives, establishing reading as a historically-contingent practice shaped by material conditions and with political consequence. As such, this volume challenges both romanticized views of reading and the trope of its so-called "decline," underscoring the endurance of reading across changing media and its resistant, transformative power.
Meike G. Werner is the Centennial Chair of German Studies and Professor of European and German Studies at Vanderbilt University, USA, where she also serves as Director of the Max Kade Center for European and German STudies. She has published widely on German literature and culture from the 19th to 20th century. From 2020 to 2023, Werner served as President of the American Friends of Marbach (AFM).
List of IllustrationsNotes on ContributorsIntroduction Meike G. Werner, Vanderbilt University, USAPART I. Reading and the Formation of Political Culture in the Nineteenth Century1. Popularizing Political Literacy: Publishers and Readers in the Early Nineteenth Century James M. Brophy, University of Delaware, USA2. The Invention of Terrorism: Writing, Reading, and Terrorism in Mid-Nineteenth-Century GermanyCarola Dietze, Technical University Braunschweig, Germany3. Practices of Virtuous, Vicious, and Controlled Reading - A CommentKirk Wetters, Yale University, USAPART II. Reading and Visual Modernity in the Weimar Republic4. The Weimar Reading Republic: An Experiment in Pluralism Kerstin Barndt, University of Michigan at Ann Arbor, USA5. Reading with the Avant-Garde. Jan Tschichold’s The New Typography Patrizia C. McBride, Cornell University, USA6. Visual Literacy: Reading Photobooks in Weimar GermanyVerena Kick, Georgetown University, USA7. Reading as Cultural Practice in the Weimar Republic - A CommentLynn Wolff, Michigan State University, USAPART III. Reading Strategies after 19458. Staging Self-Interpretation: F. C. Delius Reads Himself Carol Anne Costabile-Heming, University of North Texas, USA9. Regarding the Books of Others: Reading Scenes on ScreenMartina Kolb, Susquehanna University, USA10. Looking into the Open: Childhood Reading as Paradigm Stephen D. Dowden, Brandeis University, USA11. Nevertheless, It Persisted: Self-, Meta-, and Childlike Reading - A Comment Johannes von Moltke, University of Michigan at Ann Arbor, USAPART IV. Reading and Digital Innovation12. Creativity in the Digital Age: How Do Readers Perceive and Evaluate Artificial-Intelligence-Written Poetry?Vivian Emily Gunser, University of Tübingen, Germany 13. Southern Romance Reading in the Muncie Public Library, 1891-1902: A Digital Humanities-Aided Approach to Studying Reader PreferenceLynne Tatlock, Stephen Pentecost, and Douglas Knox, Washington University in St. Louis, USA14. Ötzi’s Dagger: On the Use and Disadvantage of Reading for LifeJames McFarland, Vanderbilt University, USA15. Digital Reading: Empirical and Data-Driven Research - A CommentMatthew Handelman, Michigan State University, USAPART V. Afterlives of Texts: Reading in the Archive16. Reading Traces in the Archive: Writers' Libraries at the German Literature Archive MarbachSarah Gaber, University of Oldenburg, Germany17. Between Manuscript and Print: Reading the Last Lines of Joseph Roth's Novel Die Flucht ohne EndeJan Bürger, German Literature Archive Marbach, GermanyIndex