“Now that I know what Hell is like, I shall take more pains to avoid it. This is an amazing collection.” —Philip Pullman, #1 New York Times bestselling author of The Golden Compass“Quite terrifying.” —The New Yorker“You will be [frightened] by The Penguin Book of Hell, in which writers from antiquity to the 20th century describe the eternal, infernal hereafter. Abandon all hope, ye who enter here.” —The Washington Post“This fascinating collection kept me reading long after midnight, and the images it put in my head kept me up even longer. A deeply engaging read.” —Amy Brady, Chicago Review of Books, “The Best Horror Nonfiction Books of 2018”“One of the prime motives of these texts is rage, rage against people occupying positions of exceptional trust and power who lie and cheat and trample on the most basic values and yet who escape the punishment they so manifestly deserve. History is an unending chronicle of such knaves, and it is a chronicle too of frustration and impotence, certainly among the mass of ordinary people but even among those who feel that they are stakeholders in the system. Hell is the last recourse of political impotence. You console yourself . . . by imagining that the loathsome characters you detest will meet their comeuppance in the afterlife.” —Stephen Greenblatt, The New York Review of Books“Disturbing . . . Full of classic representations of eternal punishment.” —America: The Jesuit Review“Harrowing . . . To recognize hell in the realm of reality is to understand its true role in our lives right now—and to begin to articulate the good life we hope someday to earn. Be not distracted: the glimpses of hell do us good.” —Lapham’s Quarterly“Includes a hefty (and fascinating) selection of readings from medieval manuals . . . Bruce’s most fascinating section is his final, which examines how the rhetoric of hell has utility in the contemporary era, including . . . an astounding essay by an American prisoner in solitary confinement with the unlikely name of William Blake, and the track list for torturers at the Guantánamo Bay detention center whose ‘enhanced interrogation’ techniques included repeatedly blasting at ear-splitting decibels songs like Marilyn Manson’s ‘The Beautiful People,’ Britney Spears’s ‘…Baby One More Time,’ and the ‘Meow Mix’ commercial jingle.” —Los Angeles Review of Books “Like so many of the Penguin Classics collections, it is thoughtful, expansive, accessible to the intelligent reader and the inquiring mind. . . . It’s quite a read, and it’s certainly not something you probably want to read right before bedtime, not right before going to sleep, but certainly a book that will make you think about life, about being human, and about what might await us in the future.” —WBAA
