'Froude's management of repeating themes, fugue-like in their harmonization, is powerful and suggestive. He extracts the certainties of voice from the declaratives he deploys and ultimately turns that certainty against itself. Froude's collection reads as the utterances of a speaker who dwells always in the midst of the words to which he is giving voice, head turning one way and then another, startled to catch them wavering as they float by, but utterly convinced of the seriousness of his operation.' - Robb St. Lawrence, Phoebe Literary Journal