Palgrave Handbook of Inter-Cultural Heritage in Aotearoa New Zealand

Conal McCarthy is Director of the Museum & Heritage Studies programme at the Stout Research Centre, Te Herenga Waka Victoria University of Wellington. In his professional museum career he has worked in collections, exhibitions, education, interpretation, governance and curatorial roles. He has published widely on museum history, theory and practice, including the books Exhibiting Māori (2007), Museums and Maori (2011), and Museum Practice (2015), volume 2 of The International Handbooks of Museum Studies (Wiley Blackwell). In 2018 he published the history of Te Papa, and in 2019 Curatopia: Museums and the future of research (co-edited with Philipp Schorch, Manchester University Press).Michelle Horwood is a Teaching Fellow in Museum and Heritage Studies programme at Te Herenga Waka Victoria University of Wellington. She has an academic background in anthropology, archaeology and museum studies, and has worked at Ngā Taonga Sound & Vision, Aotearoa New Zealand’s national audio visiual archive, as well as Heritage New Zealand Pouhere Taonga and Whanganui Rgional Museum. Her doctoral research, focusing upon building relationships between indigenous communities and museums, was published in the Routledge Museums in Focus series in 2019, Sharing Authority in the Museum: Distributed Objects, Reassembled Relationships. Awhina Tamarapa (Ngāti Kahungunu, Ngāti Ruanui and Ngāti Pikiao), an experienced museum curator, researcher, consultant and writer, is a Postdoctoral Fellow in the Stout Research Centre at Te Herenga Waka Victoria University of Wellington. She has a PhD in Museum and Heritage Studies examining taonga kākahu (cloaks and other textiles) in museum collections and the ongoing maintenance and revitalisation of weaving in the community. She has curated major exhibitions at Te Papa, and edited accompanying catalogues. In 2018 she was awarded the Mina McKenzie award by Museums Aotearoa. Kolokesa Uafā Māhina-Tuai, MNZM is a cultural champion and mediator, curator and writer. She is of Tongan heritage with ancestral links to Sāmoa and Fiji. Kolokesa was curator of Moana Oceania cultures at Te Papa (2004-2008) and Tāmaki Paenga Hira Auckland War Memorial Museum (2013-2017). She currently works with Toluma‘anave Barbara Makuati-Afitu, of Samoan heritage, for Lagi-Maama Academy and Consultancy,  an educational and cultural organisation they co-founded in 2018. In 2022 Kolokesa was awarded the honour of Member of the New Zealand Order of Merit “For services to cultures and the arts.”

• Chapter 1. Whakaūpoko/Inter-Cultural Heritage in Aotearoa New Zealand: An Introduction.- Part I: Te Whenua / Land.- Chapter 2. Te Whenua / Land: An Introduction.- Chapter 3. 1 + 1 = 3: An Introduction to Interculturalism.- Chapter 4. Ngā Pakiaka Morehu o te Whenua: The Surviving Roots: Reclaiming Space Post-Treaty Settlement.- Chapter 5. Heritage and the Colonial Project.- Chapter 6. Coastal Heritage, Climate Change and Community-centred Action.- Chapter 7. Te Ara o Raukawa Moana: Active Kaitiakitanga in Response to Climate Change.- Chapter 8. Heritage, Museums, and Climate Change: A Conversation with Huhana Smith.- Chapter 9. Re-remembering Te Whanganui-a-Tara: Pukeahu National War Memorial Park.- Chapter 10. Aotearoa New Zealand’s Leading Role on the World Heritage Stage: Advancing the Meaningful Participation of Indigenous Peoples and Communities.- Chapter 11. “Aotearoa is My Tūrangawaewae”: Unearthing Resistance of Banaban Youth, Displacement, and Belonging in the Pacific.- Chapter 12. Mauri and Museums: Integrating Māori Cultural Values into Museums—Lessons from Environmental Management.-Part II: Taonga, Objects, Knowledges and Practices.- Chapter 13. Taonga, Objects, Knowledges and Practices: An Introduction.- Chapter 14. Tongan Talatupu‘a/Fananga: “Breathing Life” Into Archival Myth/Legend Collections.- Chapter 15. Ka hao te mōhio hei mātauranga pā tauremu / Gathering knowing and knowledge in stone fish traps: The 100th anniversary of the Dominion Museum Ethnological Expedition to Te Tairāwhiti 1923.- Chapter 16. Connecting Lines: Mekeo Poapoa—Skin Marking Practice as Embodied Knowledge.- Chapter 17. Te Reo Māori: Revitalisation and Usage of Māori Language in New Zealand Museums.- 18. Whiria Hei Taonga Koiora: Māori Weaving as Intercultural Pedagogy.- Chapter 19. A Pounamu Journey: Transformation through Indigenous Curation.- Chapter 20. Creating Intercultural Spaces Abroad: A Comparative Study of a Māori Exhibition in France, Mexico and Canada.- Chapter 21. Repatriation of Human Remains as a Postcolonial Museum Practice: Creating Mutual Understanding, Dialogue and Exchange Between Aotearoa and France.- Part III: He Tangata/People.- Chapter 22. He Tangata/People: An Introduction.- Chapter 23. Delinking Across Indigeneity: A Conversation Between Walter Mignolo and Linda Tuhiwai Smith.- Chapter 24. Tuia: Relationships Through Time, Place, Practice and People.- Chapter 25. ‘New Zealand’s Wars’: Military Heritage and History in Aotearoa New Zealand Since the Nineteenth Century.- Chapter 26. Local Museums and the Aotearoa New Zealand Histories Curriculum.- Chapter 27. Ration the Queen’s Veges: Te Papa, Te Tiriti, and the Failure of the Bicultural Model.- Chapter 28. Tuākana/Tēina: Relations Between Wider Pacific Tangata Tiriti and Tangata Whenua.- Chapter 29. An-other Politics: Asian Philosophies and Te Tiriti o Waitangi.- Chapter 30. A Slow Harvest: Building an Aotearoa Asian Art Archive.- Chapter 31. Bright the sky above.- Chapter 32 Kupu Whakamutu/Afterwords.- He Kōrero Anō/Appendices.- Ngā Kupu Māori/Glossary.- Ngā Kaupapa Nunui/Index.