Origins of Nostalgia

Memories and Reflections

Häftad, Engelska, 2023

AvSvetlana Boym,Ron Roberts

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This collection of previously unpublished autobiographical and semi-autobiographical “snippets of experience” written by Svetlana Boym in the final period of her life capture her penchant for seamlessly melding, poetically and dream-like, the intensively personal with the everyday and the world-historical. They illuminate the formative conditions for the thinking which she was to develop into her majestic work on nostalgia.Importantly, these pieces fill in gaps in understanding the genesis and scope of her take on the world. For readers both familiar with her work and for those new to it, The Origins of Nostalgia will enable our own cultural past as well as that of the former Soviet Union to be viewed in a different light.

Produktinformation

Utgivningsdatum2023-11-30
Mått150 x 228 x 12 mm
Vikt240 g
FormatHäftad
SpråkEngelska
Antal sidor168
FörlagBloomsbury Publishing Plc
ISBN9781501389979

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Svetlana Boym (1959-2015) was a literary critic, visual artist, writer of fiction, and Hugo Reisinger Professor of Slavic and Comparative Literature at Harvard University, USA. Her books include Death in Quotation Marks (1991), Common Places (1994), The Future of Nostalgia (2001), Another Freedom (2010) and The Off-Modern (Bloomsbury, 2017). Her artworks were exhibited in New York, Berlin, Ljubljana, Glasgow, Copenhagen, Kaunas, and Cambridge.Ron Roberts is an Associate Fellow of the British Psychological Society and Honorary Lecturer in Psychology at Kingston University, London, UK.

Poetic and analytical by turns, Svetlana Boym’s charismatic energy lives in every page of these brilliant autobiographical writings. They chart her post Sputnik Leningrad childhood in one of the Soviet ideologically imposed communal apartments, with its multiple partitions, at once prohibiting privacy and striving for it, to her departure from Russia aged twenty. Ambivalent about Soviet communality and the American dream, the work is a profound meditation on the psychic shock of an ever unfinished emigrant life. She is doubly alien, estranged from Soviet Russia and a ‘foreign-insider’, resident and non-resident, in Boston. Nostalgia, here lyrically explored, is a leitmotif of her work. Broken bones, a shattered porcelain cup, become emblems in an émigré’s narrative of belonging, unbelonging, and longing.