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The most significant research conducted on concrete architecture in the United States from 1940 to 1970.The affirmation of reinforced concrete and the kinds of space generated by its structures is one of the most fascinating and revolutionary chapters in the history of twentieth-century architecture and engineering. This richly illustrated, three-volume essay offers the first complete overview of all the most significant research conducted in concrete in the United States from 1940 to 1970. It includes the greatest architects of the time, from Frank Lloyd Wright to I.M. Pei, Louis Kahn, Emery Roth & Sons, and others.The analysis of the works presented on the pages of the three books reconstructs the most important inventions in the use of concrete, whether reinforced or not, prefabricated or cast in place, used in the form of skeleton, walls, columns, blocks, or panels. The book also includes a chapter on a new kind of ornament, permitted by special plastic products applied to formwork, and other chapters dedicated to the different processing techniques used to obtain various surface textures. It enters the complex theoretical universe of truths and lies, upon which the greatest architects have debated through the manipulation of concrete. Finally, it guides readers up to the decline of the creative force of structures. A New Era of American Architectural Concrete not only offers the first exhaustive history of an architectural technique that was decisive in the United States, but also a new vision of twentieth-century American architecture.
Produktinformation
Utgivningsdatum2021-03-01
Mått182 x 261 x 71 mm
Vikt2 956 g
FormatHäftad
SpråkEngelska
Antal sidor890
FörlagPresses Polytechniques et Universitaires Romandes
Roberto Gargiani has published several works on Perret, Le Corbusier, Labrouste, Semper, and Brunelleschi. He previously taught the history of architecture in Florence, Rouen, Paris, and Rome. He is currently professor of the history of architecture and construction at the Swiss Federal Institute of Technology in Lausanne’s (EPFL) School of Architecture.
prologueSurface Finishes by the Book: The Accomplishments of Architectural Concretechapter one. The Self-Built Construction of Wright and Residential Fabrication SystemsWright’s Desert Concrete: Toward a Constructional PrimitivismTextile and Concrete Blocks for the Usonian Houses The Experimental Residential Constructionof Rudolph and GoldbergThe Monolithic Houses of Le Tourneau and IBEC The Lift Slab Method by Youtz & Slick and by the Vagtborg Corporationchapter two. The Primitive Frame of MiesBeauty is the Splendor of Truth: Mies’s Chicago Debut Belluschi’s Equitable Building: The CopyThe Promontory Apartments: The Degree Zeroof the New Chicago FramePrototype VariationsAffordable Housing in Chicago, or the Miesian Aestheticchapter three. Prestressing and New Structuresfor ConcretePrestressed Girders and the Walnut Lane Bridge Wright’s Butterfly Bridge and Soleri’s Tubular Bridge The Helio-Laboratory Tower in RacinePei and Severud’s Structure for the Helix Apartment Towerchapter four. Kahn’s Space FrameThe Tetrahedron Floor System and Béton Brutof the Yale Art GalleryGrowth, Stratification, and Groove: The Impossible MonolithA Space Frame for the City Hall Buildingchapter five. Effects of Scale and Prestressing: Works by SOM and MiesGoldsmith: Superstructure and Bracing Learning from NerviSOM’s Quest for an Expressive StructureThe Bridges and Prestressed Girders of SOM and Khan New Paths of Gravity: Goldsmith and LinMies’s Reinforced Trilithchapter six. The Skyscrapers of Mies, Kahn, and WrightThe Unclear Structure of Mies and Severud for the Seagram BuildingJohnson and the Enigma of Diagonal Bracing Kahn’s Tower of Triangular Concrete Frames The Richards Laboratories: Prefabrication and Post-TensioningWright’s Tripod Frame Construction and Molded OrnamentThe Illinois Mile-High Cantilever Sky-Citychapter seven. Architectural Concrete Variations, from Breuer to SaarinenMo-Sai Precast Concrete Cladding PanelsThe Bush-Hammered Concrete of Breuerand the Sandblasting of Anshen & AllenThe Ineffable Material Substance of Saarinen’s ConcreteSOM’s Experiments for a Concrete Skyscraper Rudolph, Pei, Harrison & Abramovitz,and Prefabricated PanelsSaarinen’s rubble aggregate concreteApplied ornament versus texture: plastic and transfers