Survey[s] the various stages of MacMillan's career: the 'sudden surge of new works' following his return to Glasgow in 1988 and the rock-style 1990 Proms reception that greeted Isobel Gowdie; the ensuing period of sustained success up to the opera Inès de Castro in 1996; the 'consolidation' years to 2000, peaking with the epic oratorio Quickening...and the bitterness and ultimate stylistic turnaround in the decade following Scotland's Shame.