Mighty Thor

Stan Lee (1922- 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. Lee oversaw the adventures of many super hero creations for over a decade before handing over the editorial reins at Marvel to others. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and an ambassador for the comics medium. Born Jacob Kurtzberg to Jewish-Austrian parents on New York's Lower East Side, Jack Kirby (1917-1994) came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co-created the patriotic hero Captain America with Joe Simon in 1940. Throughout the 1940s and early '50s, Kirby and Simon produced com­ics in every popular genre, from Western to romance. In 1958, Kirby began his collaboration with Stan Lee. The two men co-created the foundational text of the modern Marvel Universe – The Fantastic Four – and introduced a mind-boggling array of new characters, including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X-Men. Today, Kirby is regarded as one of the most important and influential creators in the history of American comics. Rick Riordan (he/him), dubbed 'storyteller of the gods' by Publishers Weekly, is the author of five #1 New York Times best-selling middle grade series with millions of copies sold throughout the world, including Percy Jackson and the Olympians, now a live-action series on Disney+. Rick is also the publisher of an imprint at Disney-Hyperion, Rick Riordan Presents, dedicated to finding other authors of highly entertaining fiction based on world cultures and mythologies. He lives in Boston, Massachusetts with his wife and two sons. Follow him on Twitter at @RickRiordan. Ben Saunders is a professor of English at the University of Ore­gon. He is the author of Desiring Donne: Poetry, Sexuality, Inter­pretation and Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes, as well as numerous critical essays on subjects ranging from the writings of Shakespeare to the recordings of Little Richard. He has also curated several museum exhibitions of comics art, in­cluding the record-breaking multimedia touring show Marvel: Uni­verse of Super Heroes-a retrospective exploring the artistic and cultural impact of Marvel Comics from 1939 to the present.

“A groundbreaking example of comics representation in literature.”—Publishers Weekly“Penguin provides introductory essays; superb analyses by the series editor, Ben Saunders; and extensive bibliographies.”—Michael Dirda, The Washington Post“Stories become classics when generations of readers sort through them, talk about them, imitate them, and recommend them. In this case, baby boomers read them when they débuted, Gen X-ers grew up with their sequels, and millennials encountered them through Marvel movies. Each generation of fans—initially fanboys, increasingly fangirls, and these days nonbinary fans, too—found new ways not just to read the comics but to use them. That’s how canons form. Amateurs and professionals, over decades, come to something like consensus about which books matter and why—or else they love to argue about it, and we get to follow the arguments. Canons rise and fall, gain works and lose others, when one generation of people with the power to publish, teach, and edit diverges from the one before ... A top-flight comic by Kirby—or his successor on “Captain America,” Jim Steranko—barely needed words. You could follow the story just by watching the characters act and react. Thankfully, Penguin volumes do justice to these images. They reproduce sixties comics in bright, flat, colorful inks on thick white paper—unlike the dot-based process used on old newsprint, but perhaps truer to their bold, thrill-chasing spirit.”—Stephanie Burt, The New Yorker