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Thomas Crombez, Luk Van den Dries - Mass Theatre in Inter-War Europe, Inbunden

Inbunden, Engelska, 2014

Del i serien KADOC Artes

Mass Theatre in Inter-War Europe

Flanders and the Netherlands in an International Perspective

Av Thomas Crombez, Luk Van den Dries

839 kr

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Beskrivning
Ideological heterogeneity in mass plays in Flanders and the Netherlands In many European countries mass theatre was a widespread expression of ‘community art’ which became increasingly popular shortly before the First World War. From Max Reinhardt’s lavish open-air spectacles to socialist workers’ Laienspiel (lay theatre), theatre visionaries focused on ever larger groups for entertainment as well as political agitation.Despite wide research on the Soviet and German cases, examples from the Low Countries have hardly been examined. However, mass plays in Flanders and the Netherlands had a distinctive character, displaying an ideological heterogeneity not seen elsewhere. Mass Theatre in Interwar Europe studies this peculiar phenomenon of the Low Countries in its European context and sheds light on the broader framework of mass movements in the interwar period.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).ContributorsStaf Vos (Het Firmament), Karel Vanhaesebrouck (Université Libre de Bruxelles/Rits), Evelien Jonckheere (Ghent University), Ad van der Logt (Leiden University), Frank Peeters (University of Antwerp)Blog Thomas Crombez - http://tcrombez.wordpress.com/
Produktinformation
  • Utgivningsdatum: 2014-06-23
  • Mått: 226 x 279 x undefined mm
  • Vikt: 1 361 g
  • Format: Inbunden
  • Språk: Engelska
  • Serie: KADOC Artes
  • Antal sidor: 160
  • Förlag: Leuven University Press
  • ISBN: 9789058679925
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Mer information

Thomas Crombez is affiliated Researcher at the University of Antwerp and teaches Philosophy of Art and Theatre History at the Royal Academy of Fine Arts in Antwerp and Philosophy at Sint Lucas Antwerpen. Luk Van den Dries is Professor of Theatre Studies at the University of Antwerp.

Recensioner i media

Mass theatre in interwar Europe is in zijn geheel een mooie publicatie, die slaagt in het opzet dat de redacteurs vooropstellen: een duidelijk beeld geven van dit fenomeen in Vlaanderen en Nederland. Het uitgebreide bronnenmateriaal biedt een goede kijk op die historische periode en de toenmalige theaterpraktijk die zeer sterk verbonden was met de politieke en sociale omwentelingen.Karel Pletinck, Universiteit Antwerpen, Forum+, maart 2015, jaargang 22, nr. 1

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