ROBERT J. THOMPSON is an Associate Professor at the State University of New York, at Cortland.GARY BURNS is an Associate Professor in the Department of Communication Studies at Northern Illinois University.

• IntroductionAuthorship Case Study: Hugh WilsonTelevision Authors: The Case of Hugh Wilson by Richard Campbell and Jimmie L. ReevesInterpreting Television: A Closer Look at the Cinematic Codes in Frank's Place by Bernard Timberg and David BarkerThe Sense of Place in Frank's Place by Horace M. NewcombBlack Music and Television: A Critical Look at Frank's Place by Joe MoorehouseInternational Authorship StudiesTelevision Authorship in France: Le Réalisateur by Susan Boyd-BowmanAuthorship Conflict in The Prisoner by Tony WilliamsProgram Production for Export and the Domestic Market: British Television Film Series of the 1960s by Jonathan David TankelThe Studio As AuteurNegotiating the Television Text: The Transformation of Warner Bros. Presents by Christopher AndersonDesilu, I Love Lucy, and the Rise of Network TV by Thomas SchatzThe Screen Gems Division of Columbia Pictures: Twenty-Five Years of Prime-Time Storytelling by David MarcIndividual Authorship StudiesRewriting Culture: A Dialogic View of Television Authorship by Jimmie L. ReevesTelevision Production as Collective Action by Cathy A. Sandeen and Ronald J. CompesiAuthorship and Point-of-View Issues in Music Video by Gary BurnsThe Comic and Artistic Vision of Lorne Michaels and the Production of Unconventional Television by George M. PlasketesSelected BibliographyIndex

ROBERT J. THOMPSON is an Associate Professor at the State University of New York, at Cortland.GARY BURNS is an Associate Professor in the Department of Communication Studies at Northern Illinois University.

• IntroductionAuthorship Case Study: Hugh WilsonTelevision Authors: The Case of Hugh Wilson by Richard Campbell and Jimmie L. ReevesInterpreting Television: A Closer Look at the Cinematic Codes in Frank's Place by Bernard Timberg and David BarkerThe Sense of Place in Frank's Place by Horace M. NewcombBlack Music and Television: A Critical Look at Frank's Place by Joe MoorehouseInternational Authorship StudiesTelevision Authorship in France: Le Réalisateur by Susan Boyd-BowmanAuthorship Conflict in The Prisoner by Tony WilliamsProgram Production for Export and the Domestic Market: British Television Film Series of the 1960s by Jonathan David TankelThe Studio As AuteurNegotiating the Television Text: The Transformation of Warner Bros. Presents by Christopher AndersonDesilu, I Love Lucy, and the Rise of Network TV by Thomas SchatzThe Screen Gems Division of Columbia Pictures: Twenty-Five Years of Prime-Time Storytelling by David MarcIndividual Authorship StudiesRewriting Culture: A Dialogic View of Television Authorship by Jimmie L. ReevesTelevision Production as Collective Action by Cathy A. Sandeen and Ronald J. CompesiAuthorship and Point-of-View Issues in Music Video by Gary BurnsThe Comic and Artistic Vision of Lorne Michaels and the Production of Unconventional Television by George M. PlasketesSelected BibliographyIndex

ROBERT J. THOMPSON is an Associate Professor at the State University of New York, at Cortland.GARY BURNS is an Associate Professor in the Department of Communication Studies at Northern Illinois University.

• IntroductionAuthorship Case Study: Hugh WilsonTelevision Authors: The Case of Hugh Wilson by Richard Campbell and Jimmie L. ReevesInterpreting Television: A Closer Look at the Cinematic Codes in Frank's Place by Bernard Timberg and David BarkerThe Sense of Place in Frank's Place by Horace M. NewcombBlack Music and Television: A Critical Look at Frank's Place by Joe MoorehouseInternational Authorship StudiesTelevision Authorship in France: Le Réalisateur by Susan Boyd-BowmanAuthorship Conflict in The Prisoner by Tony WilliamsProgram Production for Export and the Domestic Market: British Television Film Series of the 1960s by Jonathan David TankelThe Studio As AuteurNegotiating the Television Text: The Transformation of Warner Bros. Presents by Christopher AndersonDesilu, I Love Lucy, and the Rise of Network TV by Thomas SchatzThe Screen Gems Division of Columbia Pictures: Twenty-Five Years of Prime-Time Storytelling by David MarcIndividual Authorship StudiesRewriting Culture: A Dialogic View of Television Authorship by Jimmie L. ReevesTelevision Production as Collective Action by Cathy A. Sandeen and Ronald J. CompesiAuthorship and Point-of-View Issues in Music Video by Gary BurnsThe Comic and Artistic Vision of Lorne Michaels and the Production of Unconventional Television by George M. PlasketesSelected BibliographyIndex