"Addressing a neglected but fascinating cultural moment, Killer Bodies emphasizes the varying complexity and clichÉs of Bad Girls and the surprising diversity of the people who made them. As sharp as a sai or a Witchblade, Crawford's analysis cleaves through preconceptions to reveal myriad reasons its deadly subjects are worth revisiting." - Anna F. Peppard (editor of Supersex: Sexuality, Fantasy, and the Superhero) "Weaving together cultural and political commentary, Crawford examines the historically fraught duality of the 'good girl' versus 'bad girl' paradigm. Not content to simply call out the male gaze and its prurient surveillance of the female body, Crawford unapologetically critiques why even superheroes cannot escape fetishization." - Monalesia Earle (author of Writing Queer Women of Color: Representation and Misdirection in Contemporary Fiction and) "Since the heyday of 1990s American 'bad girl' comics, their hypersexualization, extreme violence, and postfeminist story lines have served as a source of embarrassment for many media scholars. But what if we took the question, 'What were they thinking?!' more seriously? In Killer Bodies, Crawford does exactly that and demonstrates the odd yet compelling ways U.S. comics history, concurrent feminist politics, and shifting transmedia trends informed the rise and fall of 'bad girl' comics." - Sam Langsdale (author of Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics) "The 'bad girls' phase of superhero comics began with big feminist energy and quickly went horribly, stupidly wrong. Crawford's success here is his decision not to try to rescue a fad best forgotten but to leverage it to help us capture the nuances of a deeply conflicted feminism too rich to forget." - Joe Sutliff Sanders (author of Batman: The Animated Series)