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Younger describes the daily and festival worship of the only Hindu temple in India where Shiva in his dancing form is the primary object of worship. He analyses the history revealed in the architecture of the buildings and the 300 inscriptions on the temple walls, and in the process tries to understand the multifaceted role of the temple in Indian life. His study paints a vivid portrait of the living religion of South India.
Introduction Part I: Worship 1: The Priests and the Daily Ritual 2: The Worshippers and the Festival Celebrations Part II: Wood and Stone 3: The Builders and the Building 4: The Donors and their Political Connections Part III: Writings 5: The Legend-books and the Local Traditions 6: The Hymns of the Saints and the Saiva Schools Conclusion Bibliography/Index
a text of exemplary and sympathetic scholarship ... No visitor to the temples of South India should be without it. Antony Copley, Asian Affairs, February 1997