Del i serien SUNY series in Latin American Cinema

Expanding Cinemas

Experimental Filmmaking across the Luso-Hispanic Atlantic since 1960

Häftad, Engelska, 2025

AvEduardo Ledesma

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Explores experimental cinema and alternative film formats from across the Luso-Hispanic Atlantic, from the 1960s to the present.This is the first book on experimental cinemas of Latin American and Spain to offer a comprehensive look at old and new technologies, including Super 8, VHS, cell phones, virtual reality, artificial intelligence, and more. From the militant films of the 1960s to today's expanded reality experiences, filmmakers in Argentina, Spain, Cuba, Colombia, Brazil, and Mexico have continually used alternative formats both to dialogue with international movements and to counter commercial cinematic trends. To make this argument and cover this vast geographic and historical terrain, Eduardo Ledesma adopts a transnational and intermedial approach, examining exchanges and associations between cineastes to better understand how their films were created and circulated. Ledesma works to untangle both the relations between media and the associations of experimental cinema to cultural phenomena such as diaspora, exile, displacement, and immigration. Throughout the book, connections are further made to other global avant-garde and alternative cinemas and formats, including in the United States.

Produktinformation

Utgivningsdatum2025-06-02
Mått152 x 229 x 30 mm
Vikt635 g
FormatHäftad
SpråkEngelska
SerieSUNY series in Latin American Cinema
Antal sidor474
FörlagState University of New York Press
ISBN9798855800517

Tillhör följande kategorier

Allmän historia och världshistoria inom Historia och arkeologi
Film inom Kultur
Europas historia inom Historia och arkeologi
Amerikas historia inom Historia och arkeologi

List of IllustrationsAcknowledgmentsIntroduction: Border Crossings in Intermedial and Transnational (Luso-Hispanic) Film Studies1. Transatlantic Exchanges in 1960s Militant Cinemas: Helena Lumbreras's Debt to the Cinema of Fernando Solanas and Santiago Álvarez2. Brazilian Cinema Novo and the Iberian Escuela de Barcelona: Art Cinema under Authoritarianism3. Remediating Past Filmic Technologies: The Return of Super 8 and Video in the Era of Global Digital Cinema4. Cell Phone Cinema and Amateur Genre Film in the Luso-Hispanic Atlantic5. Expanded and Immersive Cinema: VR, AR, and MR Film in Latin America, Latinx US, and SpainCoda: Future Trends in Experimental Cinema and Audiovisual Technology across the Luso-Hispanic AtlanticNotesWorks CitedIndex

"Experimental collectives, understudied auteurs, film shorts, cell phones, and VR: this book is a must read for anyone interested in global cinema's past and future. Eduardo Ledesma's cinema-eye zooms in and out, from a transatlantic view to the single frame—cutting cinematic history, biography, industry, culture, and politics together. A sweeping history of radical intermediality and immersive viewing." — Benjamin Fraser, University of Arizona