Max Quanchi (TPTC, BAHons, MA, PhD) taught Pacific History at Queensland University of Technology, Australia, the University of Papua New Guinea and the University of the South Pacific, Fiji. His research is on the history of photography in the Pacific. He was guest editor for special issues on photography for Pacific Studies (1997), the Journal of Pacific History (2007) and the Journal of New Zealand and Pacific Studies (2020-2021) and since 1996 has convened panels on photography at the biannual Pacific History Association conferences. In 2007, his monograph Photographing Papua focused on the colonial frontier in Papua New Guinea. His recent books include Postcards from Oceania; Plantations, Pirogues and Port Towns with Max Shekleton (2015), Postcards from Colonial Fiji with Max Shekleton (2019), Tales from the Sak sak: Doing Nasho in New Guinea (2020), Glorious Company; The Polynesia Company in Fiji and Melbourne (2022) and Thomas McMahon's search for fame; Photographer, Journalist, Patriot (2024). Articles since the 1990s on the history of photography appear in the journals History of Photography, History Focus, Pacific Arts, Journal of Pacific Studies, and Agora, amongst others.