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The authentic performance of sixteenth-century music involves more than just reading the notes. The singers and musicians of the time were expected to add elaborate ornamentation according to very precise rules, but exactly how these rules should be interpreted and applied has always presented considerable problems to the modern performer. This clear, concise, and practical guide to the kinds of ornamentation appropriate to sixteenth-century music is a valuable handbook for those desiring to perform the music of the period.
Michael Praetorius, Jeffery T. Kite-Powell, Florida State University) Kite-Powell, Jeffery T. (Professor and Coordinator of Music History and Musicology, Professor and Coordinator of Music History and Musicology
James Tyler, Paul Sparks, University of Southern California) Tyler, James (Professor of Music and Director of Early Music Performance Program, Professor of Music and Director of Early Music Performance Program, Mandolin player) Sparks, Paul (Mandolin player
James Tyler, Paul Sparks, University of Southern California) Tyler, James (, Professor of Music and Director of Early Music Performance Program, mandolin player) Sparks, Paul (
Michael Praetorius, Jeffery T. Kite-Powell, Florida State University) Kite-Powell, Jeffery T. (Professor and Coordinator of Music History and Musicology, Professor and Coordinator of Music History and Musicology